Category Archives: Writing

Aren’t clones technically carbon copies?

Haha, rock on. This list is very helpful, and funny in places.

A Comprehensive and Totally Universal Listing of Every Problem a Story Has Ever Had by Douglas A. Van Belle

1) Wrong Starting Place: Most good fiction doesn’t start in the beginning, it starts in the middle. This is particularly true for short fiction. Readers should feel like they have been dumped in the middle of a car chase. Even as they cling to the dashboard and frantically stomp their foot on the imaginary brake that has been installed on the passenger side of every vehicle built in the Post-Starsky and Hutch era, readers should be looking for clues to explain why in the hell the idiot writer in the driver’s seat is racing through town at breakneck speed. This doesn’t mean you should always start with a punch in the face, a kick to the testicles also works, but at least half of all not-ready-to-publish stories start in the wrong place. See also Problem 10.

2) Telling Instead of Showing: Telling me that little Johnny is bored is extraordinarily boring. It’s even more boring when I have to suffer through him thinking about how bored he is. Mentioning the distant and distracted look on his face as he methodically tears a gum wrapper into a pile of tinier and tinier bits of silver and green confetti, that’s way less boring.

3) Dead Dialog: Most corpses don’t do anything, at least not anything that is all that interesting. They rot and decompose and stuff, but they don’t act. Live people do things, they try to accomplish things, they act and fiction is all about action, about pursuing a goal, doing something. Similarly, dialog is much more interesting if it is alive. It should do things beyond bloating and floating about the bay. It should imply action, hint at motives, betray prejudices, push others to react and it should do several of those kinds of things at once. Most of the sentences you put between quotes should equal at least three sentences outside of them. If you can take the dialog out without adding three sentences of narrative, you probably don’t need either the dialog or the narrative. The variety of things that dialog can do is as vast as the variety of things that a pre-deceased person can do, but the specifics are nowhere near as important as the fact that good dialog has to do something.
Corollary 3.1: Dialog is inherently superior to prose. If you can replace three sentences of narrative with a single line of dialog, you are morally obligated to do so. In fact, if you don’t you will go to hell, directly to hell without passing go, and it will be one of those really bad levels of hell where all the fiction is written by accountants.

4) Undead Dialog: In certain circumstances, some corpses actually do things, but even when they shuffle about the town, dialog really isn’t a strength of the reanimated and writers should always be vigilant patriots in our struggle against the armies of darkness, and the French. Just because Zombies (and the French) are constantly mumbling “Brains, Brains, Brains” it doesn’t mean that their every single utterance needs to be quoted. There are lots of mundane things a character would say that a reader really doesn’t need to hear. Stories are supposed to capture the exceptional moments, not the mundane, and dialog should reflect that. See also Problem 11: Mistaking Motion for Movement.

5) Impersonal Dialog: Speech is the reflection of a person’s soul. Souls are kind of pink and squishy and full of crap. Therefore dialog should be pink and squishy and full of crap. Or maybe that’s the large intestine. Whatever. The point is that dialog should be eviscerating, but in a good way. It should expose the guts of your character. In addition to the content of what is said, word choice, use of contractions, and phrasing should combine to make it obvious who is speaking even before the reader hits the he said, she said part.

6) Impersonal Narrative: The narrative prose should be just as personal as the dialog. Is it a little girl’s frilly bedroom or did someone puke sugar and spice all over everything? The narrative must have a personality. It doesn’t have to be a personified narrator. In fact, it should almost never be a personified narrator. Narrators that are characters in and of themselves should probably only be used if your target audience is people who can’t wait for their next colonoscopy. Still, no matter what POV choices you have made, even the most distant of third-person narrators must represent the story by choosing the details that are perceived and those choices embody a personality. That should carry forward into hints of a personality in the way things are described, particularly the choices of descriptive words. See also Problem 7 and Problem 8.

7) Point of View is Like a Box of Condoms: There is no such thing as a small one. I could have used Starbucks’ coffee sizes for that analogy but Grande, Venti and Exxon Valdes just don’t quite work as well as Snug Fit and Magnum. As fair warning, even though bodily fluids are not explicitly mentioned here, they are clearly implied by pointing out that the whole purpose of a condom is to keep everything contained so that both the naughty nurse and the kind-hearted gladiator can focus on what really counts. Point of view keeps the story contained so both the writer and the reader can focus on what really counts, getting the story across. However, no matter whether your story needs a Magnum (Third Person) or a Snug Fit (First Person) point of view, how you use your point of view is far more important than how big it is. Point of view failures are usually some kind of loss of containment, such as when the narrative voice is first person but the narrative perception starts slipping off to places where the narrative character could not carry the reader or a third person POV that usually stays outside on the shoulder of characters but sometimes jumps inside the head for a first-person peek.

8) Fairydancing the Point of View: Contrary to popular belief, there are as many types of point of view as there are marketing schemes for Disney merchandise. First person should restrict your narrative to the POV character’s head but that still leaves 1768 variations of narrative and voice to play with. Are perceptions described with the character’s voice, or a neutral voice? Can the reader’s attention be brought to the things the character sees, but doesn’t notice? Second person isn’t a point of view. It is a form of intellectual masturbation. Third person can sit on a character’s shoulder; it can sit above or outside the scene; it can see the thoughts in a person’s head; it can be kept out of the skull altogether and limited to interpretations of expression, voice and other clues; it can be nailed to the moment of the narrative; it can reach back into the past for things that inform that moment. Third person is big and versatile, totally Magnum, but it is not a fairydance. No matter how you decide to use point of view, you must pick a set of rules to write by, make those rules clear to your reader and stick with them. Short of a total point of view failure, the most common problem that is inconsistencies within a point of view or vague shifts that disrupt a reader’s immersion.

9) Second Person Point of View: You know you shouldn’t. You want to do it but you know you will go blind.

10) Chronicling: If I wanted to plod through something step by step by step by step, I’d go to work once in a while. Authors get to fuck with time so do it. Skip the boring bits. Skip the bits that aren’t important and just hit the high points. If his choice between walking, driving or riding the bus isn’t critical to the story, why in the hell am I reading about it? Connecting this back to Problem 1, do you really need to start with the pizza order and march us through the thirty minutes or less to the knock on the door? Or can you just jump to the naughty part, give us a glimpse the delivery uniform tossed on the pizza box and end it with a very very big tip for the tussled pizza delivery girl/boy/donkey?

11) Mistaking Motion for Movement: I call this the Jean-Claude van Damme problem. Physical motion (including all the detail in the fight or the sex) only matters in the way it serves to move a story forward.

12) Filling the Negative Space: In many ways, writing is like a bowel obstruction: less is better than more. Negative Space is key here and it does two things. First, negative space is an absence of distractions that, by its emptiness, focuses the reader’s attention on the details provided. This enables the reader to imagine all of the unspoken, or I guess unwritten, parts that are implied. You can offer a thousand details about the fat police officer, but simply noting how much of his belly has erupted up and over the top of his belt says everything that needs to be said. Leaving the negative space unfilled also allows the reader to personalize the story in ways that you could never manage with details. The image that the reader projects into the negative space will be intimate. For the reader, the minimalist description of the fat cop will be fleshed out with the insidious characteristics of the Nazi asshole who wrote him/her/it a ticket for doing 58 in a 55.

13) Skinny Story Stuck in a Fat Story’s Body: Sometimes, especially when it comes to the neighboring passengers in the testicle-strangling seat configuration that QANTAS calls economy class, too much is just too much. Granted, we all want a bit of fat on our stories. After all, boobs are something like 90% fat and you can’t walk past a newsstand without noticing just how incredibly important boobs are, but for fiction, particularly short fiction, it can be extremely hard to find the beauty in the Rubenesque. Starving a story of detail can sometimes be a problem, but Annortextia is far less common than Obestiality and it is almost always better to err on the side of an extra bit of liposuction to make sure the fat you choose to keep is creating sexy curves exactly where you want them.

14) Characters Ain’t People: Characters are the shoes that readers want to slip on for a vicarious stroll through the clusterfucks of life that no real person would actually want to step into. Characters are relationships. They are the focal points of the push and pull of all the things that drive a story but they aren’t actually people. If you think of your character as a real person, it will be far more and far less than a character should be. If your character comes across as a whole person it will be too much. It will be too full and there will be no empty spaces left for the reader to imagine what it would be like to be the person the character is supposed to represent. If your character comes across as a real person, it will also be too small. If the reader is going to slip inside the character’s skin, that skin needs to be at least a bit oversized. The character needs to have that little extra that allows it to break from the ties that bind real people.

15) Exclamation Points are for Soft-Porn Only! This should be obvious! The damn things even look like little penises! This is related to Problem 16!

16) PLEASE, NO MORE HIGH SCHOOL SHAKESPEARE: There ought to be a law against high-school productions of Shakespeare. Seriously, starvation and war and such are problems, but can we get our priorities in order and get the UN do something about 17 year old King Lears? It boils down to the fundamental teenage definition of drama as equivalent to volume. If you shout, it must be really dramatic, and even without exclamations points you can turn the volume of your prose up well beyond what that punk with the bleeding ears can manage with his iPod. A general rule of thumb is that writers should offer a rude gesture in response to anything offered as a general rule of thumb, but authors might also want to consider the general rule of thumb that the form of presentation can only enhance the nature of what is being presented. Therefore, if the what behind the prose isn’t inherently dramatic, screaming it will only serve to make it even more not dramatic.

17) Are You Sure You Know How to Use a Semicolon? Seriously; are you sure? Most writers who use them wouldn’t use them if they knew how to use them. I use them all the time, but I’ve got issues; wearing a red shirt when we beam down to the planet kinds of issues.

18) It’s Not a Yarn: Some asshole once called a fictional tale a yarn. Bastard. Yarn is singular, one dimensional and fiction should be macramé. Fiction should weave, tangle, knot and twist multiple stories together into a whole that is greater than the parts. If you have A story in what you’ve written, it probably isn’t enough to carry even a thousand words. Two stories woven together, layered on top of each other and pulling the characters in different directions can carry a reader much farther. Even in the context of short fiction complexity is important and it usually takes two or three stories and a couple interesting ideas stirred together to really get it done.

19) Used Clones, Cheap: Exactly how many times do you think we need to suffer through another pale and flatulent imitation of that really cool story/novel/dodecadology? Some stories have been told and retold a thousand times. Unless you’ve got a really cool twist to add, no one wants to read about alien invaders being defeated by the common cold, or a waif becoming the wizard’s apprentice, or someone agonizing over computers/zombies/clones/replicants and the nature of humanity. Surprisingly, finding lame echoes of old stories in the slush pile isn’t nearly as common as finding a neat, twisty and subversive little idea that is buried under a buttload-and-a-half of the other problems on the official list.

20) Horrible People Die: Great. So what? Other than the fact that “He needed killin'” is legally defined as pre-emptive self-defense in Texas, killing the evil bastard really doesn’t make for very good story telling unless it provides a tweaky kind of solution to Problem 19 or Problem 21.

21) Man of Teflon-Coated Titanium: A lot of stories fail because they either offer up the wrong lead character or the characters exit the story as copy-protection-be-damned digitally-perfect replications of how they entered. This is a particularly big problem for the Graphic-novel collectors turned writers who want to do Superman but better. I don’t have a good superhero example, but there is a reason Glenn Close’s character wasn’t the lead character in The Devil Wears Prada. Partly because it was Meryl Streep and not Glenn Close in the movie, but most of the reason that the evil bitch running the magazine couldn’t be the lead character was because she doesn’t evolve during the story. That other girl does. Not the one who was already working at the magazine, she does change a little but the other girl who shows up and gets that new haircut and then did the Get Smart movie. That girl changes the most, she does the most (See dead/alive problems 3 and 4) and that’s what makes her the right lead character.

22) Burning Epiphanies: When the protesters are burning epiphanies in the streets it probably means that you put just a bit too much faith in your spell checker.

23) Totally Crap Spelling: Nuff said.

24) The Gippetto Syndrome: Most writers who have found the fortitude needed to throw their beloved work into the whirling knives of the rejection-go-round of doom have usually also managed to stumble their way past cardboard characters. In some ways, however, little wooden puppet characters who desperately wish they could be a real boy are worse. The rule of thumb (See Problem 16 in regards to rules of thumb) for characters is that something about what makes them unique should also be what puts them in the situation, conflict, dilemma that they must engage within the story. Usually, intentionally imposing that condition upon characters makes it impossible for them to be bland containers for dialog and actions, and it makes it really, really hard to write them as little wooden effigies (see Problem 22) that mimic a real character. Again, like Problem 21, this is surprisingly less common in the slush pile than might be expected.

25) Other: This isn’t really a problem, but I had to put this category in here just to guarantee I didn’t get sued for claiming it was a comprehensive list and then having some asshole find something I didn’t cover. Other does exist. Every once in a while a perfectly good story just doesn’t do it for an editor, but that’s not a fixable thing. There just isn’t much you can do about getting stomped on because of something in the other category, except for sending it somewhere else.

BAH

This guy just rocked my world.

The One Hundred Word Blog with a Ten Word Title

“Mars is out tonight,” the lion says.

“Oh?” asks the blind beetle. “What does it look like?”

“Remember the colors you saw before you lost your sight? Now condense all those colors into a little pinpoint and put it in the corner of a black canvas. That’s what it looks like.”

“It must be incredible.” The beetle pauses. “What does the sunrise in the morning look like?”

“Like those same colors,” the lion replies, “only expanded across the sky. And they shine like the reflection of the light on your shell.”

“Lion?” says the beetle. “I’m glad you’re my eyes.”

What the crap is this?

Odd, odd, odd. I found a pile of my old stuff from junior high piled in a corner of our office at home. What strange things…

1. Abort Our Butts! (Save Our Forests)
The increasing amounts of tuna fish in our rivers have been the causes of the many unnatural floods in the spring. According to a local law enforcer, the abundant supply of tuna fish has been clogging the rivers, causing, if you will, “natural dams.” Thousands and thousands of tuna fish have been seen in huge piles along the riverfronts in northern Idaho and Washington. Along with being the causes of the floods, the piles of tuna fish are also giving off dangerous amounts of toxic gas called “whatthehellisthatsmell.” Whatthehellisthatsmell is an extremely dangerous gas that can kill almost instantly. A concerned younger member of our community wrote this following strongly worded letter about the events taking place:

Dear Mayer and his Trustee Counsil-men,

My name is Phut. I like to play in the river by my howse but now you and your Trustee counsil-men have bloked it of. That rely makes me fel angry cuz when I play in the river by my howse I fel hapy. Mommy says that Mr. Mayer and his trusty counsil-men are just doing it to protekt the family. Daddy says @#&! the mayer. I agre with daddy. @#&! you!

Yers trooly,
Phut

2. Some story about a football player and his pants
“Martins, running down the field…he’s at the 40…the 35…the 20! The 10 yard line and…oh my god! He just TOOK his PANTS off! Holy crap! And as if that’s not enough…HOLY COW! He ripped his underwear off! Oh my god up in heaven, Martins made the touchdown with his pants on the 10th yard line and his underwear on the 4th! Is this a day for sports or what! Can you BELIEVE this? Martins…his pants…oh my—we need to get down to that field! Okay…okay…they got him a towel, he’s descent now… We have Dennis Hatkins in the field with Paul Martins…Dennis?”

“Thanks, Pedro. Now Paul, why the strip tease on the 10 yard line?”

“I’ll tell ya, Dennis. It’s about masculinity. All about showin’ who’s boss. Now take Michelson over there. I ain’t seen HIM rip his pants off. BAM, Dennis, I just got channel 6 another 3 million viewers, just by takin’ off my tighty whities.”

“Thank you, Paul.”

“Damn right.”

“Back to you, Pedro.”

Man, I don’t know. Don’t pay any attention to what I have to say today.

Oh god, what’ve I done now?

(It came to my attention that I should add an explanation, so here it is: um, I was bored. It’s a short piece of crap. Copyright Claudia Mahler, 2007)

On Sunday, Andy was going to be hanged. As soon as I learned of this I felt obligated to go visit him, so after work on Friday I went to the city jail where they were holding him. It was the first time I’d ever been in the city jail. There were not many windows, but there were just enough so that the light from the summer sun blazed through and made hot rectangles of light every few feet on the hallway floor. There were only five cells and the warden’s office, and when I entered the first thing I saw was Andy. He was sitting alone in the cell facing me. His eyes brightened when he saw me and he stood.

“Hey Davey,” he said to me. He was smiling and his bright white teeth shone in a patch of light blaring through the warden’s office window.

“Hey, man,” I said. “What’d you do?”

“Ah, it was nothing.” He pointed past my right shoulder. “Gotta go see him before you visit me.” I followed the direction of his finger to the warden’s office, where I was met by a stern looking midget of a man, who proceeded to ask for my identification and my relation to Andy.

“I’m just a friend,” I said. I watched him grab his ring of keys from his desk. “What’d he do?”

The warden stopped searching for the key and looked at me for a second. “Didn’t you hear?” he said. I shook my head. “They caught him reading.” He found the key, stood, and guided me to Andy’s cell. Andy smiled again and moved over on the bench he was sitting on. I sat beside him as the warden closed the cell door and returned to his work. We sat there, looking at each other.

“Hey,” I said.

“Hey.” He looked the same as he’d had a few months ago when I’d last seen him.

“Would you like a cigarette?” I asked.

“Sure.”

“No smoking in here,” the warden said, looking up and seeing me handing a cigarette to Andy.

“Come on, man,” Andy said, flashing his white teeth at the warden. “I’m gonna be dead in two days.”

The warden glanced at him and then at me. “Alright. Just one,” he said, returning to his work. Andy took the cigarette and I lit it for him. He took a long drag, then leaned back against the concrete wall. We stayed silent for a minute.

“You…you were reading?” I asked at last.

“Oh, man…” he smiled, shaking his head. “They finally caught me.”

“At home?”

“Naw,” he said. He took another drag. “To a bunch of kids.”

“What the hell?” I stared at him.

“Yeah, that’s what I thought.”

“You know that’s illegal, Andy—”

“Ah, it’s that stupid ban they got in place. It’s been around way too long.”

“You should have known—”

“Hey, I knew. Why shouldn’t kids get to read? I got to read, you got to read, nothing’s wrong with us.” I remained staring at him, and he proceeded to tell me what had happened. He had been out on Wednesday alone by the river with a book. Some kids had come along from the local high school and noticed him. Not knowing what the book was they had asked him about it, and Andy, being Andy, told them nothing but instead began to read to them.

“Why didn’t you just put it away?” I asked him.

“They’d already seen it,” he replied. “So I figured, why not, and flipped back to the beginning and read them the first page.” He laughed, his teeth showing. “We were to page fifty before those cops caught us.” Two men doing their daily rounds had come across Andy and his little reading group. Immediately they snatched the book from his hands and took him into custody.

“The kids went to therapy,” he said. “Can you believe that? For a damn book. And I went here. They asked me where I’d gotten the book, and I told them I owned it. You should have seen the looks on their faces when I told them that this wasn’t the only book I had.” He laughed again. “Right there, that was about four violations of the ban.”

Andy was held in custody for the evening, as the mayor was informed of the atrocities that had occurred and that a member of the state had violated the fiction ban. The governor then heard, and then the state Supreme Court, and it was decided that afternoon without a trial what Andy’s fate would be.

“Well, what the hell’d you do it for?” I remained staring at Andy, despite that the whole incident seemed rather typical of him.

“I don’t know.” His cigarette had gone out; he dropped it at his feet. I picked at my fingernails.

“It was in their eyes, man,” he said after a minute. He looked me. “It was like they were hypnotized or something. Every word…it was like they had to keep listening…they had to know what happened next. You know that look?”

“Yeah.”

“Danny had had that look in his eyes when I first read to him. He was a year old.” He laughed. “He didn’t know what the hell I was doing, but he wanted me to keep going anyway.” He paused again. “Those kids had that same look. First time they’d been read to.”

“Jesus.” I leaned my back against the cool concrete wall, trying to imagine what it would feel like to be fifteen and never read to. “What book were you reading to them?”

The Great Gatsby. Ever read it?”

“Man, years ago. Eighth grade or something.”

“Yeah. Everybody did back then.” He paused. “Danny never got to. The ban hit just as he was going into preschool. All he got to was The Cat in the Hat, and the schools beat that out of his mind so fast that he doesn’t even remember reading it.”

was quiet. I thought of Greg. He had never been read to. “I take it they found the rest of the books.”

“Yeah. Bastards burned them, too. I probably had the last copy of The Great Gatsby in the state.”

“What does Beth think?”

“I don’t think she thinks,” he said. “She’s too mad to think.” I smiled a little. I could imagine Beth at home totally losing it, slamming the phone down and flushing her wedding ring down the toilet.

“She hasn’t talked to me since I called her on Thursday to tell her I was going to be hanged.”

“Danny?”

“Beth won’t let him see me. You’re the only one who’s visited.” He smiled. “I hope I get a bigger turnout on Sunday.”

“Maybe something’ll happen and you’ll get off.”

“Eh, I doubt it.”

“I heard,” I said, “that out east they’re stopping these things.”

Andy snorted. “Just like the east,” he said. “They make these radical new rules then abandon them just when the west gets serious about them.”

“The news said there’ll be a group of protesters from Massachusetts here on Sunday. They heard about you and are coming to do something about it.”

They’d better make some damn compelling arguments,” Andy said, smiling again. “I’ll have the noose around my neck at that point.” I looked at him. He seemed calm about the whole thing, almost tired.

“Are you scared?” I asked him. He shrugged.

“Nah. I’ll get off. If I don’t, well, I died for a noble cause, right?”

I stared at him a moment longer but could see no fear in his face. I glanced at my watch and noticed it was getting late.

“I’ll visit you tomorrow morning, early,” I said, standing up and signaling the warden.

“You’d better,” Andy replied, smiling. “And bring the cigarettes with you.”

“I will.” I smiled back. The warden clanked open the cell door and I went out the way I came in.

“See you tomorrow,” I said, giving him a wave. Andy, with a bright smile, gave me a little salute.

I got home at seven. Annie was in the kitchen cleaning up after dinner. Greg was sitting in the highchair at the table.

“Hey Greggy,” I said. I lifted him up and tucked him into my hip as I went to kiss Annie.

“Where’ve you been?” she asked me.

“I went to see Andy,” I said, bouncing Greg up and down.

“What’s he in for?” Annie had heard me talk about it that morning.

“Reading.”

She stopped what she was doing. “Reading?” she asked. “Seriously?”

“They caught him down by the river. He was reading Fitzgerald to a bunch of kids. Doesn’t that sound just like him?” She didn’t say anything. “I’m going to visit him again tomorrow. Beth won’t go and see him.”

“You’re going to see him again?” she asked.

“Sure. Why not?”

She shrugged. “They caught him reading,” she said. “What are they going to do with him?”

“What do you think? They’re going to hang him.”

“When?”

“Sunday.”

She said no more, and for the rest of the night she was rather quiet. This was not unusual, and I thought nothing of it. I went about my usual evening activities, and slid into bed around ten.

The next morning I awoke to find Annie lying next to me, staring up at the ceiling. I moved my hand to touch her hair, but she turned and laid with her back to me. I put my arm around her waist. She took it and flung it off.

“What’s the deal?” I asked.

“It could have been you they caught instead of Andy, you know that?” There was a slight quiver in her voice. “I’ve been thinking about it all night. They could have been doing their rounds and come in here and caught you reading Shakespeare on the couch.”

I laughed. “I’m not that stupid, Annie,” I said “And I’m not Andy. I don’t go around reading to kids in broad daylight.”

“I don’t like you going to see him,” she said, still facing away from me. “It makes you look suspicious.”

“Ah, they don’t care.”

“They’ll be checking us out more often. What if they catch you reading to Greg one day? I know you do it.”

“You do it, too.”

“I don’t keep old volumes of poetry in the basement behind the wine. What if they find that one day?”

“They’re not going to look there.”

“I don’t want you to visit Andy,” she said again.

“What he did was right,” I said.

“He broke the law.”

“The law is wrong. And we both break it all the time.”

“I don’t want you to go visit him,” she said again.

“No one else will,” I said, a feeling of annoyance building in my gut. I got out of bed and began searching for clothes. “Beth won’t even talk to him.”

“She’s smart,” Annie said. Her voice got a little louder as she sensed my anger. “She’s keeping away from him. I don’t see why you’re thinking of him and not your own family.”

“Yeah, well I think it’s wrong that they’re not even talking to him over the phone,” I said, bending over and tying my shoelaces. “I’m going to see him,” I stood up and went to leave. “Whether you let me or not.”

“You have a son, Dave,” she shouted as I exited the room. “Think of your son!” I descended the stairs and left through the front door, allowing the screen door to slam on my way out.

I walked briskly down the street. She didn’t know Andy like I did. I had every right to visit him. I stalked down the streets without paying much thought to anything around me until I realized that I was walking down Andy’s street. I turned to look at his house and there was Beth, taking in the laundry from the line that stood in their front yard. I called to her. She shielded her eyes in the bright sunlight, recognized it was me, and waited in the doorway as I climbed the stairs of the front porch.

“Hey Beth,” I said.

Hey Dave.” She smiled slightly. Her eyes looked tired. I could hear Danny playing the piano inside. “Where are you off to?”

“I’m just going to visit Andy,” I said.

The smile disappeared. “Don’t talk to me about him,” she said flatly. She turned to go back into the house.

“Why?” I asked. She didn’t answer. “Beth, he—”

“He’s selfish,” she said, stopping and turning back to me. “That’s what it is. That’s what it’s always been about, not the books. Did he ever stop to think of me during this whole thing? Or Danny?” Her eyes were set on my face, as if I could tell her.

“I don’t know,” I said. “He just told me you weren’t talking to him.”

She stared at me for a moment. “Why should we,” she finally said, “get dragged into this? I told him over and over, every time he went out to read by that tree, that someday someone would catch him and then I’d be all alone. And Danny’d be without his father. Do you think he listened?”

Think of your son.” Annie’s words sprung back into my head. I felt sick to my stomach all of a sudden, and leaned against the molding of the door.

Beth continued. “Every day when he went out there I almost expected the call from the police, saying that they’d caught him. Thursday I picked up the phone and what did I hear? ‘Hey babe, I’m in jail. They’re gonna kill me on Sunday.’ Do you think, after that, that I have an obligation to go visit him?”

“No,” I said quietly.

“He expects us to watch the hanging. I told him there’s no way in hell I’m going up there to watch him die, and there’s even less chance of me letting Danny go up there.”  I was quiet.

“Dave,” Beth said. I looked at her. “Why are you going up there?”

I didn’t know. I shrugged my shoulders. Beth smiled slightly again and put her hand on my shoulder.

“Tell him I—” she stopped herself. “Take care,” she said instead, and went inside the house. After a moment, I left the front porch and continued walking.

The closer I got to the jail the worse I felt. The argument I’d had with Annie put me in a sour mood, and the conversation with Beth had made it worse. I didn’t want to go see Andy anymore. I went anyway, though, but with a tickle of anger in my throat that I was unaware of until I saw him. When I entered the jail he was sitting on the bench, his white teeth shining at me through his smiling mouth. He had been expecting me. “Long time no see,” he said. I wanted to slap him. The warden opened the cell and I entered, sitting slightly further away from him on the bench. I avoided looking at him until he scooted closer to me.

“I thought you weren’t gonna show,” he said.

“Well, I’m here now.” I focused my attention on the bars in front of me.

“I was bored. All a guy can do is think in a place like this, and let me tell you—there’s not much to think about.” he paused. I could feel him smiling. “Except dying. Hey, can I have one of your cigs?”

“I forgot them.”

“Then go back and get ’em,” he said, still smiling. “I’ve only got a few more days; I want all the cigarettes I get. I’m on my death bed, here.”

“Look, will you stop joking about it, please?” The words came out louder and angrier than I had thought they would.

The smile on Andy’s face died away. “What’s your problem?”

“You’re gonna die tomorrow, man,” I said. “They’re gonna hang you. Don’t you care?”

He shrugged. “I don’t think I did anything wrong. If they kill me, they kill me.”

“What about the rest of us, then,” I said, my voice growing louder. “How do you think I feel, watching all this happen? I’ve known you since kindergarten, man.”

“I know.”

“How do you think Beth feels?”

“She abandoned me.”

“No, she just can’t come up and see you because if she does, she’s putting Danny at risk. I talked to her today.”

“Why?” He suddenly got defensive.

“I just passed the house, dude, relax. She said that you never thought about her or Danny.” I stopped. He said nothing. “You never thought about me, either.”

“I just did what I thought was right,” Andy said. I couldn’t tell if he was ashamed or angry. “It doesn’t matter what happens to me. It’s the bigger idea that I’m worried about, not me. I think that’s what’s more important—”

“Fine,” I said. I was sick of listening to him. I stood up and signaled to the warden to let me out of the cell. “If you don’t give a crap about yourself, then neither do I.” The warden opened the cell door and I pushed past him without a second glance at Andy.

I stayed at home and watched television the rest of the day, trying to keep my mind off of Andy, but every few minutes his bright teeth flashed in my mind and I found myself back at the cell with him. It was guilt.

Finally that night it got to the point where I couldn’t take it any longer. I told Annie I was going to the bar and walked the long way, avoiding Andy’s house, to the city jail.

The jail had an eerie quietness about it—different than when I went to visit Andy during the day. When I entered Andy was sitting facing the corner of the cell. He didn’t hear me enter. The same warden was there; he recognized me and stood to let me in to the cell. The door banged open and Andy was woken from his trance with the wall. He turned and looked at me, saying nothing.

“Hey,” I said.

“Hey.” His eyes followed me as I walked toward the bench and sat next to him. He remained quiet, and so did I. I reached automatically for a pair of cigarettes, but then realized that I’d forgotten to put the pack in my pocket when I had gone home.

“Still no cigarettes?” He asked.

Nope.” He didn’t say anything. “Look,” I said finally, not turning to him but keeping my eyes on the floor. “I’m sorry I got angry with you. It’s just…it was a stupid thing to do, reading to those kids.”

“I did it for a cause—”

“I know, man. I know. But it was stupid.”

“It wasn’t stupid,” he said. “It was…it was against the law, but it was important. I know why people are avoiding me and I don’t blame them.” He looked down at his hands and shrugged his shoulders. “It’d just be nice to have somebody on my side with me at the end, that’s all.”

It grew quiet again. The cells around us were empty and the warden, confident that I had not come to break Andy out, had left us to go work in another room. Andy sat next to me on the bench, resting forward with his elbows on his knees and his fingers laced in front of him. I sat with my arms crossed, unsure of whether or not to speak. If I had remembered the cigarettes it would have been a lot less awkward, but I hadn’t, so we remained where we were, sitting quietly without words.

The pale light of the moon shone through the warden’s office window and fell on us as thick columns, broken up by the bars of the cell. A bar of darkness rose up my left thigh and arm, another bisected my right shoulder. Andy sat near the corner in almost total darkness, the left of his body palely illuminated.

“So are you going tomorrow?” The sound of his voice was out of place and almost surreal.

Why wouldn’t I go?”

“I don’t know. Beth’s not going. Neither are the boys.”

“Why?”

He shrugged. “Danny has Sunday school. Beth…well, she’s Beth.”

“Sorry, dude.”

He shrugged again and began playing with his fingers. I looked away, feeling like I was making him uncomfortable. A spider crawling across the floor of the jail caught my attention. Out of want of something to alleviate the awkwardness, I focused on it. As I watched its slender legs throwing even slenderer shadows in front of it I allowed my mind to wander. To what, I wasn’t sure, but I was momentarily unaware of Andy sitting next to me.

Vaguely I heard the ringing of the clock in the town square, signifying 11:00. As the eleventh bell rang I became aware of another, softer sound, like the sound of a rabbit breathing. I caught out of the corner of my eye Andy’s head sink down into his hands and it took me a moment to put two and two together and realize that he was crying. I sat there a moment, unsure over what to do. The last time I’d seen him cry was back in fourth grade. Then quietly, gently, I took him, guided him with my hands towards me and rested his head on my shoulder. I wrapped my arms around him the way I would my son.

There we sat, with the light from the window growing ever softer, for hours, as Andy cried. Into the night I held him, feeling his shoulders shake and his hot breath on my back, until finally the soft sobbing diminished into rhythmic breathing and his head grew heavy on my shoulder. I held him for a moment longer, then with my hands supporting him lifted him from my shoulder and lowered him to a supine position on the bench where we sat.

I signaled to the warden, who had returned to his office sometime during the night, and he stood and walked over to the cell. Noiselessly he opened the cell door, and I exited swiftly without a word. Numbly, in silence, I walked down the hallway and out into the dark street.

The clock on the microwave read 3:53 when I got home. Quietly in the stale darkness I ascended the stairs, passed Greg’s room, from which the sounds of his gentle breathing was heard, and pushed open the bedroom door. Annie was asleep. Without a sound I removed my shoes and slipped into bed, clothes and all. I thought of Andy, briefly, with his white teeth showing, and then fell into a restful and uneventful sleep.

The next morning I awoke at seven. The incident last night had not left me, but it was pushed back into my mind from the haze of sleep. I rolled out of bed slowly, trying not to wake Annie, feeling hot already. The clothes from yesterday would suffice for today as well, so I put on a pair of sandals and left the house to go to the town square. I could feel the heat of the day already beginning to build.

Nobody was awake yet. It was a Sunday. The only sound came from my sandaled feet crunching over the rocks on the sidewalk. Our house was a few blocks from the city square; I tried taking my time getting there, but for some reason or another my feet wouldn’t slow and I reached the square faster than I had planned. I was aware of a tickling of nervousness in my gut that brought me back to the test-taking days of school.

No one was in the square; the only thing in sight was the raised platform and for a second I thought of tearing the whole apparatus down so that the procedure would have to be delayed, but at that moment a man wearing black walked out from behind the platform and I abandoned the idea.

“Came to watch the hangin’?” he asked, a broom in his hand.

“Yeah.” The man proceeded to sweep the stairs to the platform. He was not local; no one in our town knew how to go about hanging people. A violation of the fiction ban was the only case in which hanging was used, and the last time a violation had occurred was three years ago when a traveling salesman bearing self-help books had wandered into town.

“You’re here awful early,” he remarked, pausing to look at me.

“The guy was—is—a friend of mine.” Immediately he lowered his head and resumed sweeping, perhaps out of sympathy but more likely out of fear that he would be recognized conversing with the friend of a reader.

He was right, though, I had gotten here early. My eagerness was not justifiable—Andy was not here and would not be here for hours, and there certainly wasn’t anything I could do to save him at this point. Realizing this, but realizing also that I could not just go back home and return several hours later, I asked the man if there was any place to sit. He produced a foldout chair for me, and on it I sat to wait it out.

Before the first of the spectators arrived, the man in black had swept the platform clean and had, together with a policeman, test-run the procedure with a sandbag equal to Andy’s weight twice and had deemed the rope worthy. They had also discussed how they should angle the platform so that the spectators would not have the sun in their eyes and had adjusted it accordingly.

The first family arrived at ten. They lived next to Andy and their son was with them, hanging on his mother’s skirt and asking if this would take long. They looked at me and me at them, but upon seeing me looking back they immediately averted their eyes and guided their son to the opposite side of the platform. Soon people were coming in groups. For as hot as it was, the square was filling up rapidly with people coming out of their homes to witness the first hanging in three years.

The man in black came up to me and requested the chair back; the mayor had arrived and he was looking for a place to sit. I gave up the chair and stood with the rest of the crowd. By ten thirty, the square was filled.

The pressure of the late morning heat was pushing on us from all directions. The crowd, glistening under the sun, remained sluggish despite the spectacle they were about to witness. Occasionally people swayed towards each other to talk or staggered apathetically from one side of the platform to the other, without any reason other than to try to break the pressure of the heat.

The kids in the crowd clung lazily to their mothers’ pant-legs, trying to keep themselves from melting into the ground.

As people began to chat among themselves, the tickling nervousness in my stomach grew into a quiver, which then, as the hour approached, rose to a churning, biting ball of nausea. If it hadn’t been so sweltering hot I would have broken into a jog to keep the nervousness at bay, but since it was, I remained in my place, shifting my weight from one foot to the other, hoping that the time would approach soon.

And it did. Eleven o’ clock finally rolled around and as soon as the bells began to sound in the square, the sound of a vehicle could be heard coming from the west. The crowd immediately began to buzz. A cop car appeared, reflecting the white light of the sun, and came to a stop at the edge of the platform. Out of the driver’s and passenger’s sides emerged two cops. They moved to the back of the car and produced Andy, who had been handcuffed and dressed in white apparel that was almost blinding in the sun. He looked perfectly calm.

“Hey!” I shouted in his direction. He picked up the sound of my voice and his eyes darted around until he found me and gave me a smile. “What’s up, dude?” He shouted back. There was no fear in his voice.

“Not much,” I yelled. “You?”

I saw him shrug. “Same old thing!”

They made their way to the platform through the boisterous crowd. Some were yelling, others were laughing. Andy remained smiling through it all, his teeth whiter than the clothes he was wearing. From where I stood I couldn’t see his eyes, but his smile said it all.

They were on the platform now, and Andy was looking out into the crowd. The man in black came up behind Andy with a piece of cloth. Andy remained smiling as the cloth was looped around his eyes and tied in back. The crowd shouted even louder, and for a moment Andy swayed on the platform.

“Stay cool, Andy,” I said to him over the crowd.

“I’m cool, man.”

“Do you want a cigarette? They said you could have a cigarette if you wanted it.”

“Naw, I’m cool.”

At this point the crowd began to get antsy. The policemen left their positions and went out into the crowd, trying to calm the excitement, leaving only Andy and the man in black on the platform. Andy made no move to escape.

A news truck had pulled up and three men were busy setting up equipment. Andy would be getting news coverage. As the camera crew set up, a reporter, dressed rather unfittingly for the weather in a white suit, bustled through the hot crowd and singled me out. He shoved a pen and paper into my face, as if the words I would say would fall directly on the paper and spare him the energy of writing.

“What do you think of all this, son?” His voice was loud but muffled by the heat.

“I don’t know,” I said, shielding my eyes from the glare coming off of the reporter’s sunglasses.

“Do you feel like this is the right way to go about a situation like this?”

“There could be better ways.” He looked down scribbled something on his pad of paper, momentarily alleviating me of the glare from his sunglasses, but then looked back up to request another answer.

“Do you have sympathy for the man up there?”

“Which one?” I stared at him. The reporter gave me a look of reproach, as if I had ruined an entire day’s worth of journalistic effort. He realized he wouldn’t get another answer from me, so he sped off in a different direction, seeking out another victim.

A man wearing a white armband wove his way through the crowd and stood in front of me, blocking my view of the platform. I cleared my throat behind him and he moved on. After awhile I noticed a group of men wearing these same armbands making a round that snaked through the crowd and past me. I stopped one of them.

“Are you guys from Massachusetts?”

“Yes,” he said, not paying me much mind but instead focusing on where his companions were in the crowd.

“Why are you protesting?”

This time he glanced at me. “What’s not to protest? Don’t you think this is wrong?”

“Yeah,” I said, “but I think it’s a little late to start protesting.”

He gave me the once-over, then looked away again. “There are a bunch of us back east. We’ve stopped hangings in our state and have almost stopped them in Vermont.”

“Sounds like you’re big back there.”

“We are. We’ve saved hundreds of lives. We can change things out here, too. It’s not too late.”

“It is for Andy,” I said.

“Who’s Andy?”

I stared at him. He looked at me again out of the corner of my eye, dropped his gaze, and then moved on, his banded arm raised to signal one of his companions.

The two policemen had returned to their positions on the platform, flanking Andy. The man in black lifted the noose. The crowd followed his hands. The man in black widened the loop so that it would fit, and then and lowered it around Andy’s neck like he was medaling him for the Olympics. Wear it proud, Andy, I thought. Then I laughed and shouted, “Wear it proud, man!”

“It’s all cool.” Andy had not moved and remained smiling. The man in black made his way from behind Andy to beside him and stood in position.

“Andrew Henry,” he said, addressing more the crowd than Andy himself. “For your violation of the fiction ban and the subsequent corruption the minds of seven children, you are to be put to death. We are obliged to grant you your last words.” He paused for a moment, then turned to Andy. “What have you got to say, anything?”

This was it, I thought, Andy’s last chance. I was expecting him to say something that would get him off—something that would save him. Andy was quiet. For the first time all day, a breeze swept through the square and for a moment the crowd forgot about Andy and bathed in the cool air. The breeze caught the ends of the cloth around his eyes. For a minute I thought it would blow off on Andy would be able to look out at us, but then it died down and with it rushed all the sound from the square. The crowd focused its attention back on Andy with agitated anticipation—they wanted him to say something so they could go back to their air-conditioning.

Finally, Andy spoke. “You know what two authors I always got mixed up?” he said after a moment. His teeth flashed in the sun, and his voice was a break in the pressure of the silence.  “Melville and Hemingway. Seems impossible, don’t it? They’re two completely different authors with two completely different styles. I guess it was the whole sea-themed business. Still, though…” He laughed. “Melville and Hemingway. Melville and Hemingway. Melville and Hem—” The boards slipped from under him and he dropped, the rope pulling taut around his neck, cutting off his sentence.

E’raina gets it!

Poor E’raina…she asked for it! She got a myriad of wall posts from me a few days ago. This is what boredom does to me (almost comparable to that “Seuss on the Loose” poem thingy):

This story tells of my marriage to Peter and explains the reasons why I’m being fired from my job as dictator of Montana.

It was a sunny day in mid-June. I was being my usual masculine self and sipping brandy from a flask while watching my beautiful wife Nell (read: “Aneel”) bounce around playing tennis in my vast expanses of tennis courts. I, being very wealthy, owned seventeen tennis courts. And a small island off of China that had been given the name of “Japan” by the natives.

Around noon, I called to Nell to come in for tea. She skipped over to me, saying, “Oh my dear, what a wonderful life we lead. I do hope it goes on forever and ever.”

I reply: “Quite.”

She answers back with: “Indeed.”

About this time, a small fluttering of wings in the birdbath took my attention, and I, being pompous and full of brandy, swaggered over to the bath with an air of superiority to birds that all men—I feel—should possess. Upon reaching the birdbath my eyes struck a familiar sight—it was not your common, average bird; rather, it was a Montana Zipper-Back Dingle West from the state of a similar name (minus the Zipper-Back Dingle West) adjacent to us. With haste, I scooped the MZBDW into my hands. I had heard legends from the “Japanese” natives that these birds, when sung to by a beautiful woman, would lay eggs of pure gold. I had had the beautiful woman for years—and now, in my clutches, was the bird!

“My dear Nell!” I called, stumbling towards her over a hose and a servant. “Do you see what I have here? A Montana Zipper-Back Dingle West! My god! Do you know what this means?” As I rambled on about the unique properties of the bird, Nell was so kind to point out to me that the Japanese, being from Japan and not from Montana, would probably know little about a MZBDW, seeing as how they are not native to Japan nor do they have the flying capacity to cross oceans to get there.

I explained to the feeble-minded soul the idea that a Montanian, feeling a desperate need for a companion of a higher species than bovine, sailed to Japan in search of a woman, unknowingly with a MZBDW hidden within his trousers. Nell replied that this was certainly plausible, praised my reasoning and logistical skills, and promptly wished for me to come away to bed with her. I refused—the first time in my life!—and told her that more important things must be done.

I whisked her away, with the MZBDW in my hand, to the piano room, where 57 grand pianos stood waiting to be played. I knew not how to play the piano; nor did Nell. However, a servant named Chris (not to be confused with Nell’s late husband Christ) could peck out a rather charming little ditty he liked to call “Turkey in the Straw.” After summoning him, and after he warmed up with a few romps around the tennis courts, he sat to play. Nell, her voice soaring, began singing. I watched with eager eyes as the MZBDW surveyed the scene.

Now, unknown to me was the gender of this little bird—I had automatically assumed it being female, due, most likely, to my extreme want of golden eggs. However, as I came to find in a matter of minutes, this bird was in fact a male. The males of this species, as told to me by the Japanese natives, are said to, when sung to, have the ability to raise the dead. Not knowing the gender, as I stated before, I encouraged the little bird to flourish and to absorb Nell’s beautiful words with all its might!

It is difficult to say exactly what happened next. A flurry of feathers, a gust of wind, and a sudden break in Nell’s singing—what? you’ve stopped?—and a shriek from Chris so bone-rattling that I felt I’d just heard President Bush stumble yet again over the word “nuclear.”

At once I felt a sharp shove at my back—the breath knocked out of me, I staggered forward, nearly falling over Chris, who was terrified beyond all belief and white as a sheet. I turned to my assailant with mind to confront him, and at the moment my mind registered who he was, Nell shrieked at the top of her lungs, “Christ!”

It was indeed Christ. Nell’s late husband, dead at 30, hovered above me with eyes blank as steel and aura cold as ice. My thoughts flew not to myself, not to Nell, but to the little MZBDW—where was he? My eyes scanned the gusty room and focused in on the golden sphere of shuttering feathers on the piano. I felt one thing needed to be done, and one thing only.

“Christ!” said I, stepping with all my might into the gusts of winds emitting from his presence. “Do what you want with me…I have seen Nell, I have had Nell, she has served me well. Take her if you must. But please, Christ…spare this little bird. It does no harm, and it was my doing that caused him to summon you! Do what you wish of us humans, but spare that dear little Zipper-Back. That is all that I ask.”

Within moments, the gusting stopped. I had recoiled into a ball under a piano bench near to me, and failed to look up again until all had passed and the room stood quiet. Slowly, very slowly, I crept from beneath the bench. Nell was safe…she stood naked in the corner, weeping quietly, but with a metronome in her hands.

Chris had taken refuge in an old bass guitar case, his body now wedged within so tightly that he failed to be removed (such was his demise…but that is unimportant). I, not taking into account a minor injury to my shoulder, stood unhurt. Fearing the worst, I glanced at the piano on which I had last seen the MZBDW. It was not there. There was, however, in its place, a small piece of paper. I walked cautiously toward it. With a shaking hand, I picked it up and read it.

“To Japan.”

What transpired next was what was expected. Nell married Chris, I became an Atheist, and none of us ever played the piano again (save the gardener–we found him on several occasions dabbling with Mozart on the oldest piano in the room). The moral of this story is quite clear, and I feel it is in my best interest, as well as the interests of those involved, not to outrightly state it. If you know me, and if you know Nell, you will know the moral.

I know not how this story contributes to the explanation of my losing dictatorship of Montana or my marriage to one Peter. I know not why it is an important story, and I know not why I felt the need to tell it. And I fail to recognize, after all my years, the importance of geometric proofs.

But I leave you now, not as a simple man with simple pleasures and a simple wife, but as an owner of an MZBDW, owner of Japan, and proprietor of a small southwestern section of land in Montana I like to call “Outback Steakhouse.”

~The End~

Just don’t ask.

Protected: If you’re ever going to worry about my mental state, I think now would be the time to start!

This content is password-protected. To view it, please enter the password below.

Take it off! Take it all off!

I’m crying. “Why?” you ask. Because tonight was our last football game.
No more being perverted in the stands (at least until next year). But it was fun while it lasted. I even wrote a Haiku:

Sex is like the sea
You go in in intervals

But watch out for crabs.

This just in: geophagists across the globe are biting the dust!

Guess what, guess what?!?!?!?!?!?

I wrote a play.

And guess what, guess what?!?!?!?!?!?

It’s going to be produced.

I am in a state of joy only comparable to the state of joy I achieve when I’m not wearing pants in a public area.

What the crap is this??

Another just-written poem. This gives you an idea why I don’t submit my writing to anything.

Love is a Cow
Love is a cow when leaping and bounding
Through marshes and Marches
Scratches and ditches.
A cow is the female of cattle fields
Through rains in April
And technology glitches.
A cow set ablaze the great town of Chicago
Accomplished in June
She completed her mission.
Yes, love is a cow when it comes down to the end
After thunder in July
And nuclear fission.
Cows set their watches to atomic time
They do every August
To the best of perfection.
For love is a cow after every species falls
Around ponds in September
To admire their reflection.
A cow takes pride in her regurgitation
It changes in October
From green to brown.
Cows are most definitely advanced creatures
Crop circles in November
Symmetrically round.
Love is a cow during holiday bliss
Tinsel in December
Hooves wrapped in bells.
A cow made of metal will rust in the morn
After storms in January
They chip into shells.
Cows change the world with frightening speed
Surviving February
Living off starch.
Alas, love is a cow through the entire year
All through April
And back into March.

I’m Emily Dickenson!

Waiter! They’re a Pythagorean Theorem in my Pi!

I like my titles. They’re the best parts of my blogs, in most cases.

HUTTAH! POETRY!

There once was a man named Jonas
Who was lacking with both his cojonas
Then he met a genie,
“I need help, they’re so teeny!”
And he gave him two–plus a bonus!

I said Chips Ahoy were banned. I lied.

Another first grade story! This one has a plot!

Holy crap…I’m posting a blog at 7:29 AM. Odd I am.

Okay. Anyway, I was at home digging through the remainder of my crap in the closet and I came across another journal from 1st grade. This one has a plot, characters, and an actual ending (which most of my stories don’t, still today). Onward!

We’re the three little cats! We all live on the same street. Our names are Fatty, Ratty, and Big. Next door to Big lives a big bad dog named Dedo. Dedo is never outside. He’s usually inside. Today he went to the store. He bought some cat food and a blue coat. He put the coat on and then put the cat food in a big sack. He then went to Fatty’s house. Fatty is not very smart. He was inside reading the newspaper.

Dedo knocked on the door and yelled, “Mr. Fat, Mr. Fat, are you home?”

Fatty opened the door. “Who are you?” he asked.

“I’m your grandma,” said Dedo.

“Grandma!” Fatty cried. “Come in!” Just as Fatty was closing the door, Big came out.

“I wouldn’t let that thing in,” he said.

“Don’t be silly,” said Fatty. “She’s my grandma!” He shut the door.

Five minutes later, Dedo came out with less cat food, and Fatty’s house was destroyed. Big went to Fatty’s house. No Fatty.

Big went home.

Dedo went to the store. He bought a coat and a hat. He put them on.

Then he went to Ratty’s house and yelled, “Mr. Rat, Mr. Rat, are you home?” Ratty was a little smarter than Fatty, but not by much. He was inside, eating lunch. He got up and went to the door.

“Who are you?” he asked.

“I’m your grandpa,” Dedo replied.

“Grandpa!” Ratty cried. “Come in!”

Just as he was closing the door, Big said, “I wouldn’t let that thing in.”

“Don’t be silly,” said Ratty. “He’s my grandpa!” He shut the door.

Five minutes later, Dedo came out with even less cat food in the bag. Ratty’s house was destroyed. Big ran out. He looked through the broken wood. No Ratty.

Big went home.

Dedo went to the store again and bought overalls and sneakers. He walked to Big’s house, but Big already had a plan. Big has a friend named Little. Little came over to help with the plan. While Little held the scissors, Big put a chair in the middle of the room with a napkin in the seat. When Dedo came, Big let down the part of a box with “happy birthday” on it. Big came out.

“Happy Birthday!” he yelled. “Since it’s your birthday, you get a haircut.”

“But I don’t need a haircut,” said Dedo.

“Yes, you do.” Replied Big. Little pushed Dedo inside. Big made him sit in the chair and put the napkin over his eyes. “Cut!” Yelled Big to Little. Little started cutting off Dedo’s fluff. When Little finished, he took off the blindfold.

“My fluff!” cried Dedo. “What happened?”

“Well…” said Little, holding a bottle of Rogaine.

“That!!” shouted Dedo.

“What?” asked Little.

That bottle of Rogaine! Give it to me!”

“Oh!” said Big “That. I’ll give it to you if you cough up Fatty and Ratty.”

“Okay,” said Dedo. Bbllaaauuugghhh! “There. Now will you give me that bottle?”

“Well, okay, if you go home and never bother us again,” said Big. “Okay?”

“Well, okay.” Said Dedo. “Here!”

“Thank you!” said Dedo.

Now, git!” yelled Big. They never heard of Dedo again.

Despite the fact that it completely rips off “The Three Little Pigs” (which is a minor insignificance in my book), I kind of think it’s cool. Especially that Rogaine part. Bet you never saw that coming.

*cough*Pulitzer Prize*cough*

What the hell was this??

Okay…in between events today, I spent about an hour cleaning. During this hour, I found this weird little paper with this written on it:

December 1st
Steps to Declaring World Peace:

1) Make sure you give out bread–homemade bread!–to everyone you know on December 1st (it being the first day in the Month of Christmas). This giving of bread will help aid in the survival of the rest of the month.

2) If you can’t make bread, go someplace where you can buy it. Bread that tastes and–even better–looks homemade will brighten the day.

Today, you are the vendor of the bread!!

What. The. Crap. I was very confused about this…I normally remember writing stuff that I find, but I don’t remember writing this. I’m not sure when I wrote it, either. Plus, it’s really whacked out. Hmm.

It’s crappy poetry time!

Hooray!

I’m no good at poetry, but I’m posting some here anyways cause I’m bored and I want you all to suffer!  BWA-HA-HA!

So here ya go. Serious one first:

I Sat Alone (no, it’s not about depression and feeling sorry for yourself. I hate those kind of poems.)
I sat alone, the mansion lights grew dim,
Thought heard the childish laughter from the hall.
As I crept close the laughter turned to hymn,
Were six or seven voices I recall.
“Unless”, thought I, while slinking to the door,
“My lonely state of mind plays tricks on me,
There’s someone here that wasn’t here before,
And soon alone no longer I will be.”
My breath grows quick as I expect the worst.
Perhaps the haunting visions of my youth,
Whose sickly body I refused to nurse,
So now flung wide the door to see the truth.
But standing on my step these children here,
Were carolers to wish me Christmas cheer.

Onward! Here’s a poem about me! A limerick! Wee!

Claudia
Now here is an interesting dame
Whose name, in Latin, means lame.
Obsessive-compulsive,
Slightly repulsive,
Still interested? Gee, that’s a shame!

And again! One from 7th grade:

Jellyfish
Jelly, jelly, jelly…fish!
Looming through the deep

Glowing as it creeps.
Has no brain, no heart, no lungs
Last low tide on a rock it clung
Hung there for 2 minutes or 3
Released its suction, now it’s free.
Jelly, jelly, jelly…fish!
He will sting you if you wish.

Here’s another from 7th grade. I kinda had a sea-life theme going on:

Octopus
An octopus, barnacle thief,
Looming in a coral reef.
Tentacles snatching all in its path,
Beware, octopus! The butchers wrath.
Catch your fish-not mine, not mine,
But don’t jig about-remember: you’re blind.

Okay, I’m done. Critique nicely, people!

Excerpts from my 1st grade journal

While cleaning out all my old crap from my closet, I came across one of my journals from 1st grade. I couldn’t spell, I couldn’t capitalize, and my sentence structure could’ve used some work, but here they are: excerpts from my 1st grade journal!

October 14, 1994
I Am Going To Stop Racking. Insad I Am Going To Tap MY Tose. I Made A Papr Prson Today.

October 15, 1994
Six is my aig. I like six. It’s my aig. I am going on sivin. It’s not esse. Being six. I wod like sivin battr thin six. Six six six. Ow, I hat six. By Claudia

2/15/95
Win I grow up me and Mitchell are going to Mexco. and rade a horse To The Aar port.

(This next one is part of a story that went on for about 4 journals. We made up this game called “coos”. This story is about them.)

Chapder 6 2/1/95
My BrthDay Cam. Kelsy Gave Me A [stamp of pig] And A [stamp of stereo] Lara Gave MEe A [stamp of cat] And a [stamp of cow] Thank You I Sede And I Put The Anamuls in The Barn. That Naght One Of The Anamls Got Loos. a Anamle Got Loos I Sede And iT is The Cow Sed GE. We Chast The Cow All Arannd The Feld Thar Was a Pond Clos By Mitchell Fell in. Halp He Sede I Halpeld. I Saved Mitchel And took him In. it TooK About 6 Hurs For him to Reeckuver.

Wasn’t I articulate? I think so.

“Whe”n “I dis”cover”ed” quo”tatio”n” “mar”ks, m”y “entries” “look”ed” “lik”e “thi”s!”

Drug-induced folklore

Um…okay. This is a little doohickey that I wrote in about three minutes while under the influence of Ibuprofen, Zoloft, antibiotics, and iron. Here we go:

The Story of Infinity: How it Came to Be

Once upon a time, long ago in Wisconsin, a lonely Anglo-Saxon whitesmith named Raphael was sitting in a field, waiting for a message from his African-American blacksmith friend, Pete.

While waiting for Pete, the whitesmith felt a feeling. He leapt to his feet, immediately fell to his knees, and began to pray.

“God,” he said, looking up to the sky “if you really are God, please kill Pete and let me have his blacksmithing business, for he is much more profitable than me. Thank you.” He sat back down in the grass, and, after another moment or two, fell asleep.

Suddenly, a great rumble came from the sky above. Raphael awoke. He looked up into the sky, and before him hovered God. God was wearing pink. Raphael questioned this, saying, “Almighty one, why have you chosen such a feminine color?”

God replied in a manly voice, “God has no gender. God is a wonderful being of unquestionable holiness and awesomeness. God is also a sheep. Look closer.” And it was revealed that God was truly a sheep.

“God,” said Raphael “You heard my prayer. Will you kill Pete?”

“Why?” God asked. “Pete is your friend. He is a successful black blacksmith.”

“That is the point,” Raphael said. “He is more successful than me. I do not like it. Plus, his wife is more attractive than mine, and it would be much simpler to have an affair with her if Pete were out of the way.”

God considered. “Alright,” came the answer. “Here is how it will work: I will leave you and you shall sleep. In the dream, a beautiful woman will appear. All you have to do is reach her and kiss her. As soon as you have done that, Pete will be dead.” God then leapt from the field and, with his mighty sheep legs, reached the Kingdom of Heaven in a single bound.

Raphael relaxed in the grass and instantly fell asleep. As he slept, he began to dream. In his dream, he was in a wide field of wheat. A sign was posted next to him that read Finity Field. As he looked around, he saw a beautiful woman in the distance. He judged the length between them to be about a mile. “All I have to do is run to her,” Raphael reasoned “and Pete will be dead.” So he began to run. An hour later, however, though Raphael had run over five miles, the beautiful woman still seemed to be the same length away from him. He kept running. Two hours later, he was exhausted and nowhere closer to the beautiful woman than he had been before.

Irate, he awoke. “God!” he called.

God appeared. “Yes, Raphael?”

“Why have you deceived me? It is not possible to reach the beautiful woman in Finity Field.”

“Why Raphael,” God replied “it is most certainly possible. Just be patient. Run for a longer period of time.”

God left Raphael and he went back to sleep. In his dream, he took Gods advice and ran for two days straight. Still, however, the beautiful woman remained the same distance away from Raphael she was before. But Raphael would not give up. He was determined to kill Pete. So he ran, and ran, and ran, and ran.

Meanwhile, Pete reached the field in which Raphael lay dreaming. “Raphael?” He shook his friends shoulder. Raphael did not awake; he was deep into his dream. So Pete turned to God.

“God?” he said to the heavens. “What is wrong with my friend?”

Again, God appeared, and though Pete wondered about God being a sheep dressed in pink, he said nothing of this and pointed to the sleeping Raphael. “Raphael is being punished.” God explained to Pete. “You see, Raphael wished death upon you because you are more successful than you and your wife is more attractive than his wife. I told him that in his dream, if he would reach a beautiful woman and kiss her, his wish would be granted. However, since I am the Almighty one, I can trick him with my power. He will never reach the beautiful women because of his selfish thoughts. He is in Finity…forever. “

And so, infinity became the word for forever. Also, whitesmithing became unpopular and was virtually destroyed a month or so after Raphael’s demise. Pete flourished, and so did blacksmithing.

Wee!

The disturbing part is, though, that this story isn’t nearly as whacked out as the stories I come up with when I’m not on drugs.

Hooray!

I started my book today!

Never mind the fact that I’ve only got the first paragraph…

But I started my book today!

Here’s a question for ya

As you know (at least, you know if you’ve paid any attention to my recent blogs or have spoken to me lately), I plan on starting a book in the next, oh, day or so. I plan on making it a…well, “controversial” psychological study.

So here’s my question: do you think the publishing of this thing under my name could possibly ruin any credibility I would have as a psychologist, assuming I plan on becoming one in the future? I would appreciate your opinions on this.

RANDOM TIDBIT OF RANDOMNESS: I’ve always found it funny that the abbreviation for “Bachelor of Science” is the same as the abbreviation for “bullshit”—B.S.

I amuse myself.

Two poems about Aneel!

Okay. I was bored tonight and decided to take two poems that I wrote about Aneel (one in 7th grade and one last year) and put them up here to see what people think of them. Here they are:

Aneel (written in 7th grade)
Aneel shall die at twilight
You can almost hear him shake
He is overrun by evil
Never again to wake.
As chimes sound the hour
Fate tightens its noose
Aneel thinks with every breath
That he will not get loose.
He drinks his tea with caution
Eats his crumpet with care
For he knows, fortunately
That poison could be there.
The sky is getting darker
Light sinks beyond the hills
Aneel is schizophrenic
He needs to take some pills.
The ground is white as cotton
In a blizzard thick as snow
Aneel is mighty frightened
Not sure which way to go.
As twilight comes ever closer
It scares him evermore
Waiting in the dusk there
Is no major bore.
The demons are approaching
Crawling on the floor
The seep in through the keyhole
They creep beneath the door.
Aneel sits in his chair now
Waiting for his doom
For at the door this hour
Spirits creep and loom.
The sun sets and its twilight
Aneel is soon to die
But something gleams and glimmers
And catches Aneels eye.
He sits straight up in wonder
Of the sight that he beheld
Something that possessed him
Could not let him repel.
The creature was an angel
A guardian one, at that
Aneel know in his heart that
He had not come to chat.
The angel touched his head, then
And sucked out all his fear
And bent down to his level
And whispered in his ear,
What are you waiting for, son?
You know your time has come.
I have come to spare you
So take this chance and run!
The spirit left Aneel there
Sitting in a shock
Trembling from his hair
Way down into his socks.
Freed from this predicament
He slowly went to bed
And still his good head tingled
From that hand upon his head.

And this one…

Goodnight Aneel (apologies to whoever wrote Goodnight Moon)
Goodnight room
Goodnight moon.
Goodnight cars
Goodnight Mars.
Goodnight overstuffed backpack
Goodnight personalized spice rack.
Goodnight fancy new viola
Goodnight Special K granola.
Goodnight photo of German chick
And goodnight assignment for when Shannyn was sick.
Goodnight super strength sculpting gel
And Goodnight Algebra book from hell.
Goodnight torn and sewn up pants
What’s the capital of France?
Goodnight Co-Op fabrication
And Goodnight to The Sims Vacation.
And finally, for the best Karma
Goodnight to the Aneel Sharma!

There ya go. Have fun! And sorry, Aneel!

My Butt’s on Fire!

I wrote a cool poem…

There once was a man with two egos
Who both enjoyed wearing Speedos.
With one a nice man,
And the other’s huge glands,
They made girls who liked threesomes yell “neat-o!”

See? I am the master. I should win the Pulitzer Prize. However, this isn’t too different in style and substance than one I wrote when I was in 4th grade:

There once was a tart
Who learned how to fart
And stunk up the whole neighborhood.
Then there was a time
When he learned to rhyme
And farted as loud as he could.
He shook all the buildings, structures and towers
He wilted the trees, grasses and flowers.
He made the fish die–salmon and basses
He made people faint with his powerful gasses.
Some army men died
And most their wives cried
And buried them under dead grasses.

Odd, isn’t it? Still…