Here’s our good old word cloud.
Now to do something I’ve never done after NaNoWriMo: keep writing!*
In the past, I’ve always said to myself, “okay, so December is your break; once the new year rolls around, you will continue writing on your NaNo project until it’s done.”
That’s never happened, because once December has gone by, I’ve lost my little “groove” that I get into in November.
This year, I’m going to try to do 500 words a day starting…NOW!
I think 500 is a perfectly manageable amount but is also enough to start seeing some actual progress on the story, ‘cause it’s definitely not finished.
It’s a stupid story, yes, but the idea won’t leave me alone (which is why I chose to “redo” it this year), so let’s just roll with that. Yay?
*Okay, I guess I re-worked Prime a few times, but that was…like…five years after writing it? And it’s still not done? And it’s the dumbest story ever so screw it?
Time for the annual NaNoWriMo excerpt!
Yeah, I know. I’m not excited, either.
Like I said, I hate this freaking story but it won’t get out of my head, so I’m writing it. Again. Sorta.
So to spare everyone too much pain from scrolling past a long rambling excerpt, I’ll just give you a short one. And a short one that only needs a (relatively) short preamble so that you know what the hell’s going on.
(As if you care.)
So this story takes place in a world where (some) people have the ability to see ghosts, and a portion of those people work for the Bureau of Death, Dying, and Deceased, which regulates ghosts and ghost-human interaction as much as possible.
The main character, Nick, works at the Bureau as a ghost realtor. His job is to relocate ghosts that are haunting houses in living-zoned areas to literal “ghost towns,” which are towns that have been converted for ghosts only. Basically, he gives a ghost a deed to an empty house in the ghost town so they can “haunt” it legally and without bothering the living.
People at the Bureau are ranked by “Witness Level,” which is essentially how many different types of ghosts they can see. Witness Level is roughly correlated with age; the older you are, the more ghosts you can see, generally. The main conflict of the story revolves around Nick’s Witness Level increasing dramatically when he is relatively young and how he reacts to it. But that’s not super relevant here. The relevant stuff here is that as Witness Level increases, ghost realtors start having to deal with bigger, more volatile ghosts, so they typically work with a partner. This is the scene that introduces Nick’s partner, Ben. While Nick is quite sympathetic to ghosts, Ben is…not.
Oh, and the “destabilizer” is basically like a ghost Taser. Realtors carry them but are only supposed to use them if they feel their lives are in danger.
Yeah. Stupid, right? Anyway, here’s the excerpt:
Ben thundered into Nick’s office later that afternoon. He led by his voice, which had such a carrying boom to it that it hurled itself into the office well before Ben himself made his appearance in the doorway.
“Nick!” came the voice, followed by the heavy thud of Ben’s boots, then by the large, wide man wedging himself through the doorway. “I’ve got somethin’ fer ya.”
Benjamin Price was the size of a refrigerator and marginally more intelligent than one. He was never without a cowboy hat and at least one article of clothing made from alligator. Sometimes it was the hat itself, but more often than not it was his boots, belt, or vest. You could smell Texas in his accent and tobacco on his breath. He was the color of Wonder Bread except after exerting himself, in which case the white would give way to such an alarming shade of bright red that one almost ventured to ask him if he’d forgotten to take a breath in the past three minutes.
He was this particular shade of red as he burst through Nick’s office door, puffing but pretending not to, with a small box clutched in one of his meaty fists. When Ben said, “I’ve got somethin’ fer ya” to someone, he usually either meant he had a stern word or a lousy piece of advice, which is why Nick was surprised when the enormous man plunked the box down upon Nick’s desk and panted, “A present.”
Despite working with Ben for the past five years, Nick still got a kick of just how out of breath his co-worker got just from hauling his massive self around the office. He waited with a patient smile until Ben’s breathing finally calmed, then glanced down at the box. “A present for what?”
Ben parked his behind on the corner of Nick’s desk. It creaked unsettlingly beneath his weight. “I heard you moved up a Witness Level. Figured you’d need somethin’ to help you with the tougher ghosts that you’ll be dealin’ with now.”
Nick had to laugh. “Tougher ghosts? I’m a Level 4 now, Ben. Blue Types. Caspers. The worst thing they could do to me is accidentally bump into me in a hallway.”
“Never hurts to be prepared.” He tilted his head toward the box. “Open ‘er.”
Nick knew what it was before he even laid a hand on the present, but he humored Ben and pretended not to have a clue until the box was opened and the protective plastic cover was removed from the gadget within.
“A destabilizer?” He held it between the very tips of his forefinger and thumb as it if was trying to bite him. “Really?”
“Fer the ghosts.” Obviously.
“Thanks, but I already have one.”
“Not like this one, ya don’t.” In his enthusiasm, Ben leaned forward, causing the desk to give another pained creak. “You’ve just got the company issue, and that model’s three years old now. This new one is better. It’s safer ‘cause it’s got a two-factor shooting system. It won’t go off in yer pocket by accident. And it’s more powerful. Higher voltage. Makes fer scramblin’ up those ghosts a lot longer so ya got more time to get reinforcements.”
As always, Ben made it sound like an encounter with a ghost was a fight for one’s life where only an army could defend you if you entered at a disadvantage. If only his enthusiasm for relocating ghosts was as high as it was for destabilizing them. He’d be a better realtor than Nick.
Nick opened his mouth to speak, but Ben stopped him with a roll of his eyes. “I know what yer gonna say. ‘I’ve never used one. I don’t like destabilizing ghosts. Blah, blah, blah, ghosts can feel the voltage.’ I know what yer gonna say. But on one of yer jobs one day, yer gonna be blindsided by some big-ass ghost who won’t respond to yer touchy-feely way of relocating it and yer gonna wish you had one of these more modern destabilizers to deal with it.”
Nick gave him a forced smile. “Well, when that day comes, as I writhe in agony on the floor with twenty broken bones, my only thought will be, ‘that Ben was sure right.’” He was still holding the destabilizer; he moved to put it back in its box.
“Hey, wait,” Ben stopped him. “At least humor me by switching it out with yer old one. Ya still got yer old one, right?”
Nick sighed as he opened his lower right desk drawer. “Only because I’m required to.” As much as he hated to admit it, the new destabilizer did look like quite the impressive piece of equipment compared to the older model that he produced from the drawer. Even in its yellow holster, Nick could see that the company-issued weapon was made of an inferior metal as compared to the new one and, as he made the switch, realized just how much heavier it was compared to the sleek, streamlined version that Ben had presented him with.
“There ya are,” Ben said with satisfaction as Nick worked the new destabilizer in his old holster. “Yer a regular sharp-shooter now.”
“I’m still not going to use it.”
“You will,” Ben said with a frightening level of confidence. “Some day you will. Just remember to aim at their heads. I read an article that says a destabilizer fired at the head will discombobulate them for a full twenty minutes longer than a shot anywhere else on them.”
“‘Christ, Ben,’” he mocked. He then reached over and gave Nick a playful punch in the shoulder that nearly sent him reeling to the floor before he hoisted himself from the desk and headed out the door. “Yer welcome for the gun,” his voice boomed from the hallway.
Nick spent a moment massaging his shoulder where Ben’s fist had crashed into it, then picked up the destabilizer. He held it in his hand for a moment, then opened his bottom right desk drawer and tucked the weapon deep beneath a pile of folders. Upon closing the drawer, he promptly forgot about it.
I ended up choosing to re-do my “Ghost Town Realty” story for NaNoWriMo this year. This is due to a few reasons:
1) I hate “Ghost Town Realty” just slightly less than I hate the other idea I had for this year.
2) I want to infuse more humor into the story, and I think the only way to do that is to start from scratch. I will use nothing that I’d written out from last time I did this (2018?) as far as actual words go, but I’ll probably re-write some scenes to add some actual humor. The story was completely devoid of that last time I attempted it and I really think it drained the life out of the whole thing.
3) I can’t get this damn idea out of my head. I hate it, it’s dumb, and it’s probably been done a billion times, but for whatever reason, the idea keeps sticking with me.
So yeah, that’s the plan.
At least until November 7 when I inevitably change my idea and have to spend the rest of November frantically trying to catch up on word count.
It’s tradition, after all.
So NaNoWriMo is in like t-minus way too freaking soon and I still have no idea what I want to write about.
Part of me wants to re-write that stupid “Ghost Town Realty” story again because I like the premise and can’t get the idea of the story out of my head. I originally started that for my 2016 NaNo, but convinced myself that it wasn’t cheating to try it again for my 2018 NaNo because I didn’t even complete 2016 (that year was madness). But I’m pretty sure trying it yet again for yet another NaNo would be Super Cheating™ and I don’t know how I feel about that.
I mean yeah, the idea of NaNo is just to write; no one really cares what you’re writing about or re-writing about as long as you’re getting 50,000 new words in. But I’d feel guilty using the same idea YET AGAIN.
I have a title of a story to go with, but I haven’t quite yet figured out what story should go with the title. To be fair, that’s happened in some previous NaNos where I had a title first and then used NaNo to really built up the actual story (“Arborhood” comes to mind), but I don’t know if I want to “waste” this year’s attempt on something that might be garbage.
Hell, “Ghost Town Realty” will probably be garbage no matter how many times I re-write the entire thing, so.
Yeah. Super fun!
What the hell should I do for NaNoWriMo this year? My 2010 NaNo predicted Steve Job’s death within like a half a year of his actual death (and also predicted Google Glass) and last year’s NaNo topic was freakishly similar to the COVID outbreak on the Diamond Princess at the start of this year (down to the fact that it was the SAME FREAKING SHIP), so…maybe I should write about something cheerful and good?
I have no idea, though. I have a story name, which sometimes is enough to get me started on something semi-coherent, but it would be nice to have a general story in mind.
We’ll see. It’s still a way off.
WOO I won NaNo! That’s pretty good, considering I was more than 10,000 words behind pace at one point. My total end word count was 50,050.
Have a word cloud!
It’s NANOWRIMO SURVEY TIME ALSKDFJSLAKDFJSLDAFAGH
(I’m also procrastinating actually working on my NaNo, ‘cause that’s how I roll.)
Tell me about your NaNoWriMo project this year! Give me a blurb!
The stupid, surface-level blurb (I just copy/pasted this from my excerpt post a few days ago, haha): an outbreak of a mysterious, unidentifiable, deadly disease occurs on a cruise ship. Due to the mortality rate of the disease and the fact that no one knows what it is or how it spreads, the ship is denied the ability to dock at any country, forcing it to basically become a floating hospital that is rapidly turning into a floating morgue as more and more people become sick. The story follows three individuals – Jochem (a passenger), Hugo (the captain) and Dr. Wex (the ship’s main doctor) – and how they cope with the fact that they know they are probably going to die on the ship.
There’s more to it than that, though. The disease and being trapped on the ship represents something different for each of my three main characters on a deeper level than just “they’re going to die, how do they deal with that?” due to their different places in each of their lives. I’m actually really liking how it’s turning out so far, even though it’s an incredibly stupid premise.
What’s the genre?
Probably just mainstream fiction.
Describe your MC in three words!
I have three main characters!
Jochem: Conflicted, lost, impulsive
Hugo: Confident, sociable, proud
Dr. Wex: Unflappable, professional, persistent
Without spoilers, describe your villain in three words.
I don’t really have a villain, unless you call the illness the villain, I guess.
What is your goal? (the traditional 50k? 20k? 5k? Or…100k?)
The good old 50k, as usual. At the rate this story is going, though, it will definitely need to be longer than 50k to be complete.
Is this your first draft? Second? Third?
Are you starting a new project (or draft) or continuing an existing one?
A new project!
What is your favorite time to write in the day?
I like to write later at night, but I’ve actually been spending an hour or two at work (just before I go home) doing my writing there, especially on the nights where I have to go to bed at a reasonable hour to go walking in the morning.
Where are you going to write?
Either in my office or at my home computer late at night.
Computer or paper?
Definitely computer, though I’m not above jotting down any ideas/phrases/conversations I think of during the day when I’m not near a computer.
NaNoWriMo is a huge commitment. How are you going to make time to write?
SACRIFICE MORE SLEEP
Are you going to participate in local or online NaNoWriMo events? (e.g. kick-off parties in your regions, write-ins, virtual writing sprints…)
People are terrifying, so no.
Do you write from beginning to end or do you skip around?
I do some major skipping around. I don’t write even remotely in order.
Planner or pantser? (or plantser?)
Pantser. Plans are for SQUARES
What will be your go-to NaNoWriMo snack?
If I’m writing at work, I’ll probably write while I’m nomming a pita. If I’m writing at home, I’ll probably nom some Jolly Ranchers while I write.
Choice of caffeine? (or no caffeine?)
No caffeine. ADRENALINE ONLY!
Any rewards for milestone achievements? For finishing NaNoWriMo?
Nope! The finished product will be tucked away, never to be seen again. And that’s the end.
Share a tip for other NaNo-ers!
DON’T FALL BEHIND, HOLY HELL
How are you feeling about NaNoWriMo? Excited? Nervous? Tired?
I love NaNo. I bitch about the time commitment, but I do enjoy having an excuse to write something. Lord knows I don’t write any other time of the year, haha.
Hello, all. So it’s the middle of November, which means, as always, that it’s time for me to provide you with an excerpt from my NaNoWriMo project. I have an excerpt that I’m particularly proud of and want to share, but it actually has very little to do with the premise/main plot of my story, so I don’t think I’m going to share that one (even though it’s my fave).
So instead you’re going to get a different excerpt! The general premise of this dumb story: an outbreak of a mysterious, unidentifiable, deadly disease occurs on a cruise ship. Due to the mortality rate of the disease and the fact that no one knows what it is or how it spreads, the ship is denied the ability to dock at any country, forcing it to basically become a floating hospital that is rapidly turning into a floating morgue as more and more people become sick. The story follows three individuals – Jochem (a passenger), Hugo (the captain) and Dr. Wex (the ship’s main doctor) – and how they cope with the fact that they know they are probably going to die on the ship.
To set the following scene: the ship has been unable to dock anywhere for three weeks now because every country is afraid of this unknown but very deadly illness. So this ship is out there wandering aimlessly, trying to approach various countries for, if not the ability to dock, at least some provisions and fuel. By this point, a decent number of people are sick and the captain and crew have decided to dedicate an entire deck as a “quarantine deck” on which to keep the sick and those suspected to be sick to try to stop the illness from spreading.
Right now, they’re sailing through some nasty weather on their way to South America. The captain, Hugo, has been woken up by the storm and has decided to do a quick check of the crew as well as (in this scene) the deck that has been transformed into a quarantine ward.
GO! (I know, I know, the writing is terrible as always. It’s NaNo, what do you want.)
Upon leaving the wheelhouse, Hugo’s next destination was the quarantine deck. He hadn’t been down to visit it in a while – such a while, in fact, that it was only upon his reaching the elevator bay on the north end of the ship that he remembered that he had ordered that the elevators be shut down to try to prevent people from accidentally stepping off on the off-limit floor. Heading to the stairs, he met with the posted security guard who said that he could go and fetch Dr. Wex for the Captain if he wanted to be escorted through the quarantine region.
“I don’t want to bother the doctor,” Hugo responded, forgetting momentarily that it was far too early for anyone else on the ship to be awake, apart from himself and the men in the wheelhouse. “Just let him sleep. I’ll talk to him in the morning.”
But the security guard shook his head. “Oh no, he’s up right now, sir,” he said. “Dr. Wex hasn’t been sleeping much as of late, and when he does, he has mighty odd sleeping hours. I’ll go get him for you.”
The guard had been correct; Dr. Wex was awake and greeted Hugo with a kind but tired smile as he ascended the steps to meet the Captain.
“Late rounds, sir?” the doctor asked, running his hands through his greying hair in an attempt to tame any flyaways that had jutted into existence during his sleepless hours.
“No later than yours,” Hugo said. “I hope you’re getting enough sleep, Adrian. I know it’s in a doctor’s nature to put their health last after everyone else’s, but the last thing we need is for you to collapse from lack of sleep. Hell, you saw what a case of exhaustion did to me, and I’m sure I wasn’t working any harder than you currently are.”
“I’m doing fine, Captain,” the doctor said. “I’m used to these types of long hours; it’s part of what you come to expect being a doctor. Though I must say it has been taken to a bit more of an extreme in this particular case, given what we’ve had to deal with.”
Hugo tipped his chin in the direction of the stairs. “Am I allowed down to the quarantine deck? I’m assuming by your lack of mask or body suit that you don’t suspect the illness is airborne.”
Dr. Wex shook his head. “No,” he said. “Not airborne. Not yet, at least. There’s no guarantee that it will remain that way. There’s really not much of interest that you’d be able to see down below, but I’ll take you if you’d like.”
“I would, thanks.”
Hugo followed Dr. Wex down the dark stairway to the fifth deck. The conversion from regular passenger’s quarters and public areas to a secure, patient- and doctor-only quarantine deck had happened as recently as five days ago. But despite how recent the conversion had been carried out, the formerly lively, passenger-filled Plaza Deck was now a quiet, eerie, unwelcoming place. The main lights on the deck had been dimmed, mainly to save on power and fuel since no one was really utilizing the deck the way it was usually utilized, and places like the library, internet café, and the two large aft dining rooms were hauntingly empty. It brought on such a feeling of discomfort that Hugo actually shivered.
“The most critical patients are still on the lower deck, in the ship’s main medical center,” Dr. Wex explained as the two men made their way through the main plaza and towards the passenger rooms. “But we’ve quarantined the mildly ill band those who we feel might become ill – family members, those who have been in contact with people who are already ill, and the like – up here.”
It had been an unusual effort made by the ship’s crew to transfer all passengers who had had rooms on the Plaza Deck to rooms that were higher up on the ship. Luckily, due to the time of the year in which the ship was cruising, it was only at two thirds capacity passenger-wise. This meant that there were, in fact, enough rooms to accommodate the sixty or so sets of passengers who had to be rehomed when the order for vacating the fifth deck came into action.
“How many of these rooms are occupied?” Hugo asked as they made their way down one of the hallways. Usually, when one walked down a hallway that was flanked on both sides by staterooms, one could hear a general din of muffled talking, laughing, stomping, and shuffling of luggage and belongings. This hallway had none of those sounds; it was almost as if all the rooms were completely empty.
But Dr. Wex gave the Captain a number that surprised him. “Thirty, I’d say,” he answered after a moment of contemplation.
“A fair number of those are just precautionary,” Dr. Wex assured him. “We’ve taken to quarantining those who have just been in brief close contact with sick individuals. People who have sat at the same dining table as a sick person, or people who have visited a sick person’s stateroom, that kind of thing. Most of the people in these rooms are, as far as we can tell, not actually sick. Sick of being quarantined, maybe, but not sick with the illness.”
“Are they all being fed in one of the dining rooms?”
Dr. Wex shook his head. “To keep contamination to a minimum, we’ve opened up the room service menu to include anything we’d offer in a regular dining room or at the buffets and have encouraged people to just order food to their rooms. It’s keeping the chefs a bit busier – at least, those who are still working – but perhaps that’s a good thing. It helps keep everyone from thinking too much about possibly getting sick themselves.”
As they continued down the hall, the ship gave a big, unexpected heave, and the two staggered to stay upright in the dim hallway.
“Woah,” Hugo muttered after the ship had rocked herself back to a steady position. “We must have hit that wave at just the wrong angle.”
“Do you need to go up and check on things, sir?” the doctor asked.
But Hugo shook his head. “It feels like we’ve steadied out. Can’t blame the crew for those rough waves that hit us like that. They’re doing the best they can.”
The doctor nodded. “They’re doing better than I ever could.”
Before the two could continue moving down the hallway, a low moaning sound filled the space around them. It took Hugo a few seconds to realize that the sound had made its way through one of the stateroom doors that was right next to him. He nodded towards the door and spoke in hushed tones to Dr. Wex.
“Is… are they…?”
“Are they infected?” the doctor finished for him. He shook his head in response to Hugo’s nod. “No, they’re one of the ones that was quarantined out of precaution. Thomas Bond is his name. He’s got wicked motion sickness, though; I can’t imagine how he’s feeling right now having to stay cooped up in that small stateroom with all of this rocking going on. Though I guess, to be fair, the swaying of the ship is much less pronounced on these lower decks than it is on the upper decks, especially the open ones. I believe his original stateroom was on the tenth floor, so this quarantining should be an improvement in his motion sickness, at least.”
Dr. Wex paused; he noticed that the Captain was paying attention to what he was saying, but was also propping himself against one of the hallway walls and was doing his best to stifle a yawn that had crept up from his lungs into his mouth. He had no choice but to release it, though he tried to do so discreetly.
The doctor couldn’t help himself from commenting. “You should go back to bed, Captain,” he said gently. “Try to get some sleep. There’s nothing you can do to help these people down here, especially not now.”
“I can try to get them medicine,” Hugo muttered through another yawn. “Once we’re out of this gale and closer to the South American shoreline, I can start sending out distress calls – calls for supplies, medicine, anything.” He lowered his voice, afraid that someone might hear through their stateroom door. “Currently we’re not at the point where the supply of provisions outweighs the demand, but if more and more get sick and deteriorate in the same way we’ve seen with the first few deaths, we might be needing less and less as time goes on. But for now…” he trailed off. He was so tired that he didn’t know where he had intended to go with what he’d been saying.
“But for now,” Dr. Wex finished for him, “there’s nothing you can do. No radio signal is going to get through this storm, anyway. Really, Captain, I suggest you go get some rest while you can. If there ends up being a crisis down here that I cannot handle on my own or my medical team can’t handle, I’ll let you know. Right now, everything is being handled as best as we can.”
The Captain gave him a tired nod after a moment of consideration. “I suppose you’re right,” he conceded finally, letting out another yawn. “I’m sorry I can’t guarantee you a break, Adrian,” he said as they turned about in the hall and started heading back towards the stairwell. “If there ever is a lull in your duties – which I suspect is rare, even when the ship is not plagued by a mysterious illness – please feel free to just go to your stateroom and relax or have a meal. Shower. Recharge.”
Dr. Wex smiled at him. “I will,” he said, “if such an opportunity ever presents itself.”
The two made their way back to the stairwell and Hugo gave the doctor one last parting “thank you,” complete with a congenial pat on the back. Hugo figured if anyone had an excuse to be more tired than he currently was, it was the doctor. But he trusted Wex in his ability to know his own limits when it came to sleep deprivation, so he left him to his lower deck duties and returned to his own stateroom.
The swaying of the ship had neither gotten worse nor improved; the same could be said about the sounds of the wind as it whistled through every open space or over every unsecured item on the decks, creating a mix of whistling, whipping wallops and an accompanying melody of unsecured objects repeatedly crashing into the deck.
Hugo was able to tune out these noises, in part because he had gotten used to doing so on almost every other seafaring job he’d held over the years and in part because he was so tired. Once he was back in his stateroom, he stumbled with exhaustion toward his bed, unbuttoning and shedding his coat in the process, kicking off his shoes, and removing his pants as well. There was nothing more comforting and enjoyable than sliding beneath the heavy silk covers that sat atop his soft bed, and in an instant, all thoughts about the swaying ship, the perilous gale and the relentless illness were replaced with the sweet, seductive tonic of sleep.
Will I ever learn not to fall behind in the first few days of NaNo?
No I won’t.
It’s the first day of NaNoWriMo.
So did I write anything today?
No I did not.
Fantastic way to start the month.
(Sorry, I hate myself.)
AND I DON’T HAVE A PLAN YET
(I never really have a plan for it, though, so what’s new.)
I have a character in mind, but I’m not sure what to do with him. I guess my backup in case I can’t do anything interesting with him is to do that whole “mysterious illness on a cruise ship” thing, but that sounds ultra dumb and I don’t know if I want to even put that on paper.
Other flowers are other hues.
(Sorry, I dreamt that goddamn stupid rhyme and I don’t have anything else to say today. Also, I’m a month late for actual Valentine’s day, THANKS BRAIN YOU SLACKER.)
I was gonna blog tonight
-A poem by Claudia
As I do every time I hit my NaNoWriMo minimum of 50,000 words at the end of November, I immediately stop giving a crap about the thing I was working on and tuck it away to either a) not be looked at until like half a year has passed or b) not be looked at ever.
I was not too enthused about my story this year, but after taking a week or so away from it, I think it’s actually something that I could refine and make into an actual coherent story of sorts—one that, assuming a miracle occurs and I am suddenly granted with the ability to write well, I’d like to try to do something with. Publish it or something.
(Wild dreams, I know.)
Getting something I’ve written published has actually been one of my dreams since I was in like first grade and was writing all those coo stories. But I’m terrible at writing and everybody wants to get published and what the hell chance do I have anyway with the garbage story ideas I come up with anyway?
But at least this year’s project might actually work as a thing.
Prime (2009) is a cool little story, I think, but until I figure out the tone in which I want it told, it’s staying hidden.
Googol (2010) would immediately get me sued. Even if I changed the name of the company in question in the story, it would still be bad news, I think.
(We won’t talk about 2011 and 2012.)
Arborhood (2014) is one that miiight be workable, but I’m not sure. Right now there’s way too much exposition.
Earth’s Edge (2017) became character-driven very quickly, but at the expense of the whole main point of the story. There’s really no reason for them to be doing what the whole story was set up for them to be doing, so yeah. I really liked my characters, though.
But this year’s story? Possibly workable.
Maybe that will motivate me to, you know…work on it.
So NaNoWriMo’s done and I won with a relatively decent (for me) margin of time. I usually feel at least some level of accomplishment when I win NaNo, but I didn’t this year.
Which, you know, further confirms that I no longer value anything I do in life, but whatev.
Anyway. Here’s a word cloud.
So the past few times I’ve done NaNo, I’ve made a blog post in which I talk about a “soundtrack” that would be appropriate to go along with that year’s NaNo novel. I don’t really have such a soundtrack in my mind for my ghost story this year, but I heard Owl City’s Silhouette on shuffle the other day and holy hell, does that song capture the mood I’m trying to get to in the sadder portions of the novel when Nick is feeling very much alone, out of control, and aware that he is rapidly losing is fight against a relentless death.
The song itself isn’t about death, but it invokes that exact feeling I’m going for.
It’s beautiful. It’s heartbreaking. I love it.
Edit: zomg, I just listened to this song for the first time on my new Sennheisers and those subtle chords in the line “the fire I began is burning alive”—especially the second time (2:09)—are like daggers to the soul. Gorgeous.
I’m making progress on my story. Slow progress, but progress.
I also decided to make this story set in Tucson (as you probably read from the excerpt I posted a few days ago) for whatever the hell reason, which is giving me a ton of excuses to take pauses in my writing to look up some specific street or hospital or restaurant or whatever in Tucson.
It’s also making me miss living down there, which is kind of weird. I mean, I wasn’t even there a year. But I miss some stuff.
Don’t miss Marana, though.
Alright, you pooper scoopers, it’s time for the “let’s post an excerpt from this year’s NaNoWriMo project so I at least have something to show off for my efforts apart from an 80-ish Word document that will never again see the light of day.”
Let’s get to it.
This year I’m taking another stab at the story I tried to write in 2016 before life said “FUCK YOU” and took away all my free time.
Fortunately, life said “FUCK YOU” already this year and I have had basically zero free time since the start of 2018. But I’ve adapted to it, so it doesn’t seem quite as awful as it did in 2016.
But anyway, I’m a lazy bastard so I’m just gonna copy/paste my description of the story from back when I first tried to describe it a few years ago. Then it’s excerpt time, yo.
The world my story is set in is exactly the same as our world now, except everyone knows and accepts that ghosts are real and exist among the living. In fact, everyone can see ghosts, but when a person able to see them and what types of ghosts they’re able to see depends on how close the person is to his or her own death.
It’s like this: ghosts are classed into one of ten types, depending on how “old” they are (that is, how long the ghost has been a ghost) and the properties that they have. Ghosts range from Ghostlets, which are the “just dead” ones who still resemble the people they were when they were alive and are super clumsy and awkward because they’re not used to being ghosts yet, to White Lights, which are the oldest known ghosts and have the job of ushering people through the final stages of death (which is why many people who survive a near-death experience say that they saw a white or bright light). The closer a person gets to their own death, the more types of these ghosts they’re able to see. People start with seeing Ghostlets and progress from there.
While ghosts and humans get along (in most cases), the government has decided that it’s a good idea to keep humans and ghosts separate as far as living spaces go. This is the job of the Bureau of Death, Dying, and the Deceased. Many of the people in this Bureau basically act like realtors for ghosts, ushering them to dwellings that are unoccupied by humans.
My main character, Nick, is an employee at the Bureau. He goes around making sure that ghosts have proper living spaces and remain out of the living spaces of humans. Of course, he can only work with the types of ghosts he can see—which, at the beginning of the story, are just the three “youngest” types.
However, Nick notices that his ability to see older and older ghosts is progressing very rapidly for someone his age, which suggests that he is quickly approaching his own death. While the progression rate differs from person to person (e.g., one person might be “stuck” seeing a certain type of ghost for a much longer period of time than another person), he knows that his own progression is abnormally fast. So he spends most of the story trying to figure out what might be causing him to progress so quickly towards his own death. He knows he can’t stop the progression, but he at least wants to see if he can slow it. A lot of this involves Nick talking to ghosts of various ages/types to try to figure out what’s going on with himself.
So yeah. And here’s this year’s excerpt! In this scene, Nick has been given a job by his boss to go to Marana (a “ghost town,” or a town inhabited just by ghosts) and deal with a situation where a Screamer (one of the more advanced and destructive ghosts) has moved into a house occupied by a Blue Type (a younger, gentler ghost). Nick has to go in and diffuse the situation and try to get the Screamer to leave. Ben is his coworker, Travis is his boss, and the destabilizers are gun-like things that can be used to “discombobulate” a ghost for a limited amount of time.
Apologies for how downright awful this is.
It had been some time since Nick had to drive out to the satellite ghost town on the edge of Tucson; as he made his way past Cortaro and headed northeast of the Saguaro National Park, he tried to remember the last time he had been out that way. In truth, no living person had any reason to be in Marana. It had been christened a government-sanctioned ghost town nearly two decades ago, which meant for anyone who was still living, there was no reason to pay it a visit. Marana was for ghosts and ghosts only.
There were two exceptions to this. The first exception were those employees of the Bureau of Death, Dying and Deceased who had special permits issued by the government to enter ghost towns. Nick and the other realtors were the main users of these permits, but other Bureau members had them as well.
The second exception were those who were unauthorized to enter ghost towns but did it anyway. This demographic mostly consisted of stupid teenagers looking to impress their friends or drunk buddies looking to show off for each other. Of course, no ghost could deliberately kill a living person, but this fact did not seem to change peoples’ reactions to getting spooked by them. It meant little to those who ever came face-to-face with an aggressive, territorial ghost. But this only ever occurred when people were trespassing in designated ghost areas, Nick felt that they deserved every bit of panic and fear that they felt. They lacked the training to deal with ghosts, so if they actively sought them out, then they were the ones who brought the consequences on themselves. For Nick and other realtors at the Bureau, they had gone through training specifically to prepare them for entering ghost-zoned neighborhoods and had taken countless classes, certifications, and refresher courses on how to deal with ghosts of all different types, temperaments, and sizes.
Still, though, he was nervous as he headed out for his afternoon job in Marana. A ghost occupying the house of a different ghost was something new and therefore something he wasn’t quite sure how to resolve. Especially since there was a Screamer involved.
As he turned off the main highway, his radio switched on. He hadn’t touched it since Ben had been in the truck a few weeks ago, but he’d remembered it had been tuned to a country station. Now, however, it only played static – that haunting, almost decipherable static that suggested that the spirit of a Soul Slick was in the near vicinity. Nick was truly in ghost country now.
He turned off the radio. Marana appeared as dead as its occupants: flat, barren, and not a tree in sight. The long road that stretched toward the horizon seemed to just vanish beyond his line of sight, the pavement wobbling in the late afternoon sun’s heat. Where there wasn’t browning sagebrush there was dust; where there wasn’t dust there were the remnants of those who used to live in the town before it had gotten converted. Broken bottles, half-collapsed yard sale signs, torn up cardboard boxes, other garbage and debris.
He’d forgotten just how flat it was out there. Tucson itself was quite flat but did have some hills and valleys to it. Out here, the horizon stretched as far as your eyes could physically see due to the flatness. There were mountains in the distance, but they were well beyond reach. Nothing but flatness. Nothing but death.
Nick’s radio turned on again, the static even louder than before. He switched it off again, feeling a Soul Slick slide across the back of his hand as he did so. He caught the glance of a few others as they oozed their way into the air vents.
“Easy, guys,” he muttered to them in a polite, amused tone. “I’m not here for you.”
The house in question was on the corner of Branchwater, just off the main stretch. It was, from the outside, just an average-looking house, perhaps a bit more weathered than its age suggested it should be. But Nick attributed this to the fact that it was occupied by ghosts, not humans, and ghosts had neither the need nor the ability to perform upkeep on a dwelling. They had no need for running water, no need for heat, no need for insulation. As long as the house was theirs and could act as a place of protection from the living and from other ghosts, that was all they ever wanted.
There was no visible activity from the outside. Nick chose to not pull into the driveway but rather to park a ways down the street and on the opposite side of the house in question. He didn’t want to startle the ghosts more than he had to.
It was the quiet that first struck him as he got out of the truck. Marana, unlike Tucson or any other city of the living, was quiet. Ghosts, when on their own, had no real reason to make any noise. Noises – howling, moaning, wailing, and the like – were reserved for their encounters with humans. Ghost-to-ghost communication happened through a channel other than sound and was something that humans had not quite yet figured out. Nick was used to the quietness of ghosts in their own places of residence, but a whole town of silence was a bit unnerving. It caused the hairs on the back of his neck and forearms to stand to attention and put him on edge with an uneasy quaking in his stomach. Before he even gave it a rational thought, he reached back into the truck and grabbed the destabilizer from the glove compartment. He shoved it in his back pocket and made his way to the house.
There was still no sign of activity, even as he made his way up the main walkway to the house and towards the front door. He wondered at the state inside. Was the Blue Type expecting him? Was the Screamer? He chastised himself for not asking Travis if he had contacted the ghosts in question to inform them that a realtor was on his way out.
Nick stood on the doorstep for longer than he should have. He was trying to convince himself that he was waiting for some sign of activity to best direct him how to proceed, but in truth, he was having flashbacks to his last job with Ben and how things had gone so wrong so quickly. He then tried to dismiss the thought. Ben was Ben, was his logic. The way he had approached the ghost during their last job had been too aggressive, too demanding. Requiring the ghost to surrender itself was not the best way to get it to cooperate. So Nick decided that he would do things his way for this job. Surely that would be better, wouldn’t it?
He gave the door a firm knock, announcing himself as he did so. “Hello? My name is Nick Hextall and I’m from the Bureau of Death, Dying, and the Deceased. May I come in?”
He knocked again, this time a bit more loudly. “Hello?” The lack of response was off-putting; he took a moment to check his phone to see if he had the right address. Even if he didn’t, he would suspect someone would answer. There weren’t a lot of vacant houses in Marana. The ghost population, despite its quietness, was booming.
He confirmed that was at the right house. So what could he do now? He felt like he was being watched; a quick glance around revealed no visible ghosts, but he knew that some may be watching from within their own dwellings. Hell, the Blue Type, the Screamer, or both could be watching him from just behind the door and might just not be answering out of fear.
He jumped as he heard his car radio turn on again down the street. The Soul Slicks grew to an impressive bunch when they were left to their own devices and didn’t have to hide their abilities.
The station the radio was tuned to was no longer playing static but instead was tuned to the station that Ben had been listening to back on their job together several weeks ago. The station was having a 90s country music marathon, and Nick had to suffer through trying to enter the Screamer-inhabited house with Mary Chapin Carpenter’s “Passionate Kisses” playing in the background.
Nick turned his attention back on the house. The fact that the ghosts did not respond to his knocking left him with very few options, the best of which was a forced entry. His realtor keys were in the truck, but he asked himself why a ghost would have any reason to lock a front door in a town like Marana, which was as living-free as a town could get. And sure enough, when he turned the doorknob and gave the door the slightest nudge, the latch gave smoothly and without a sound.
He stepped into the house and made the decision to close the door behind him in case the ghosts would be worried about an open door and one or both of them would try to flee. A closed door, he figured, wouldn’t stop a Screamer, but it might slow it down enough to allow Nick to at least try to confront it.
He decided to call again. “Hello? My name is Nick and I’m with the Bureau of Death, Dying and the Deceased. I mean you no harm; I just want to talk with you.” The entry way was rather small and connected immediately with the rest of the house; through the dimness of the unlit rooms, Nick thought he could make out a few couches and an old TV that was nothing more than a dust collector.
There was an uneasy feeling in the air – something that Nick did not usually feel upon entering a ghost-occupied dwelling. Almost without thought, one hand went to his badge, the other to the destabilizer in his pocket.
“Bureau of Death, Dying, and the Deceased,” he said again, trying to speak louder than before but not confident that he succeeded. “Is anyone home?” As he moved ever so slightly forward into the entry way, he held is badge out for proof of who he was, as he always did, all the while keeping his other hand on the destabilizer. He didn’t even think about what he was doing – of course he wouldn’t be using the destabilizer on a ghost – but it gave him some visceral level of reassurance to know it was there and that he could, if he chose to, use it.
There was still no answer, still no sound at all. It was all so unnerving. Ghosts, if given the opportunity, enjoyed making sounds around humans, whether it was to entertain, to be acknowledged, or to provoke fear. So if they knew he was there – which they must have – their silence meant that they didn’t want to be found.
He made the bold decision to enter the living room. If the ghost or ghosts weren’t going to acknowledge his presence in the hallway, they’d be forced to do so once he was technically in the house. But on his first full step forward, his foot caught on something – a basket, a stool, or some other small object he’d failed to see in the dimness of the lightless house – and he stumbled. He fell, actually, toppling forward with a surprised grunt, catching himself with his open hands on the floor as his badge tumbled away from him.
Despite no one there to acknowledge this stumble, Nick felt his face flush with embarrassment. He scrambled up, grabbing his badge, and tried to regroup quickly. For the first time that day, he was glad there were no ghosts in the immediate vicinity.
But that’s when he saw the Screamer.
It had been behind the door, Nick figured, resting in the easy, relaxed state that most ghosts went into when not actively moving about. Screamers were notorious for their ability to remain in these states even during periods of higher commotion and noise, and this one had remained there behind the door, doing the ghost equivalent of sleeping, all through Nick’s entrance to the house and his shouting into the hallway. It was his stumble that had awakened it.
Awakened it? No – frightened it. The Screamer came out of its relaxed state with such a start that in the matter of half a second, it had gone from an innocuous cloud hiding out behind the door to a frightened and frightening entity that swarmed about Nick as he tried to right himself from his fall.
Nick was lucky to have seen the ghost at all, as quickly as it reacted to him. As he righted himself he took a glance backward to determine what he had tripped over, and his eyes caught the deep, smoke-like cloud of the Screamer as it unfurled in a panic.
Both Nick and the ghost reacted to this sudden confrontation at the same time. For Nick, his reaction was to grab for the destabilizer and aim it towards the ghost – not to discharge the weapon, but to try to will it into submission with the threat of the gun alone. For the ghost, its reaction was much more violent and much quicker than Nick’s. It did exactly what Screamers did when threatened: it got large and it got destructive.
Before Nick could even pull the case completely off the destabilizer, the ghost let out a bellow that shook the entire house and was strong enough to knock over all the furniture in the entryway.
Nick topped as well, hitting the floor, the wind escaping him and the destabilizer flying out of his hand to skitter beneath one of the couches in the living room. Gasping from the trauma, Nick had just enough time to roll to the side to avoid an end table as it was hurled toward his head.
“OUT!!” The command was more of a shriek than a word, but it definitely got the point across. The ghost swirled about like a tornado in the small entryway. It’s massive size knocked the already toppled furniture about. Nick did his best to stay out of its way. He covered his head with his arms and curled into a ball. But then he saw the destabilizer beneath one of the still-upright couches, so he uncurled and tried to crawl towards it. His hope was that the debris and papers that were being kicked about by the ghost’s tantrum would hide him well enough for him to be able to recover the weapon.
But the task of retrieving it proved more difficult than he thought. As he crawled, the whole entryway felt as if it was twisting and turning and torqueing, making it difficult for him to keep his orientation. Despite the disorienting headspace he was in, he continued toward the couch, feeling like he was moving through thick molasses. But the ghost was perceptive and was having none of Nick’s trying to crawl away.
“I SAID OUUUUUUUUUT!” It bellowed again, hurling another round of debris at him. The room seemed to tilt and tilt and tilt to the point where Nick felt like he had to cling to the floor to avoid sliding off into eternity. But through the debris, the sliding furniture, the howling of the Screamer, Nick continued to crawl toward the couch. If he could just reach his arm under there…
The ghost gave another loud bellow: “OUUUUUTT!!” and as it did so it picked up the other living room couch and hurled it directly toward Nick.
If Nick hadn’t had been there witnessing it with his own eyes, he would have never thought a ghost – even an irate Screamer – could have the strength to move such a large object, let alone aim it with such accuracy. Fortunately, his fight or flight instincts had kicked in and the whole scenario seemed like it was taking place in slow motion, giving him the ability to actually dodge the flying couch. It clipped him though, as it crashed to the floor; his left forearm taking the brunt of the blow. He didn’t have time to think about it. As the previously couch hit the floor with a tremendous cacophony of cracking and tearing, Nick again set his eyes on the destabilizer. Pushing himself away from the wall with his feet, he practically slid across the floor and drove his arm as far as it would go beneath the other remaining couch. His fingers, in their frantic pawing, brushed the edge of the weapon, pushing it back further and out of his reach.
But the ghost chose that moment to howl once again. The outburst was strong enough to overturn the couch in question. Nick was finally able to grab the destabilizer and, in one motion, drew it from its case, released the safety, and aimed it at the irate ghost. The rational part of his brain was telling him to aim but not to shoot, but it was quickly drowned out by the survival part of his brain, which was frantically telling him him to fire.
So he did.
Despite the ghost’s inhuman reaction time, it was not able to get the destabilizer away from Nick before a surge of electricity the strength of a lightning bolt discharged from the gun. In a fraction of a second, the large, intimidating, Screamer was reduced to a shuddering mass of ethereal material, each atom in its structure ionized, changing it from a ghost to something else. What this “something else” was, nobody knew. And at that moment, lying on the floor, panting, shaking, sweating, Nick didn’t care. It was no longer coming after him, and that’s all that mattered.
He let the smoking destabilizer drop from his hand as he tried to catch his breath, lying in the aftermath of the ghost’s startled outburst.
There was no sign of the Blue Type. There never had been. Nick couldn’t blame it for wanting to get someone out to deal with the Screamer. As far as anyone knew, ghosts could cause harm to other ghosts, and who knows what that Screamer would have done to a small, timid, mostly harmless Blue Type.
Nick’s breath finally having returned to him, he made a move to stand. In doing so, he pressed his left hand firmly against the floor. This sent a bolt of pain up past his wrist and through his entire lower arm.
“Ah…shit!” He winced, drawing air through his gritted teeth at the surprise pain. He pulled the injured arm up towards his body, cradling it with his other hand. His adrenaline had been so high during the attack that whatever had initially caused him injury had not even registered in his mind. But that was all changing rapidly as the sharp jolt of pain started to transform into an aching throb.
After a quick inspection, the rest of him seemed to be fine. The room, on the other hand, was in even more disarray than he’d originally thought as he climbed to his feet. He stepped carefully over broken furniture and debris to head back outside. The light of the mid-afternoon sun hurt his eyes after being so long in the dimly-lit house; he took a moment on the front porch to allow himself to adjust.
He considered how much time he had before the ghost re-stabilized. All the research done on destabilization suggested it was effective on the typical ghost for an average of half an hour. Nick figured he had maybe twenty minutes. With this in mind, he was quick to get back to his truck. Upon getting in, he made sure to lock all the doors. It was a stupid, useless move – a locked Chevy door was no match for an angry Screamer – but it made him feel better nonetheless.
What was his next step? By protocol, the next step would be to call an ambulance, but he didn’t feel like he needed one. The step after that? Call his boss. His phone had been in his back pocket but had somehow remained undamaged in the scuffle. He called the first number on his speed dial: Travis. But his boss failed to answer, so Nick had to come up with a different plan. Number two on his speed dial was Stephanie, His finger momentarily hovered over the “2” on his screen, but given their recent difficulties, Nick decided against calling her and decided instead to call his number three on his speed dial: Ben.
“You stay right there,” Ben said after Nick had explained his situation. “You stay right there until I’m able to get out there. And call an ambulance while you’re waitin’. God damn ghosts.”
“I don’t need an ambulance,” was Nick’s automatic reply. “It’s just my arm.”
“An ambulance is protocol,” Ben replied. “Besides, you might have some internal bleedin’ goin’ on or somethin’, fer all you said about that damn Screamer throwin’ you around.”
When Nick didn’t answer, Ben barked, “Just do it, Hextall. Don’t be stubborn. I’ll be there as soon as I can get goin’.”
After hanging up, Nick heeded Ben’s advice and called an ambulance, though he tried to make it clear over the phone that it was not an emergency and they shouldn’t feel like they had to hurry. While he waited, he also called on one of the Bureau’s containment units, telling them that a large and aggressive Screamer had been temporarily destabilized and needed to be removed and relocated. He gave them the address and had to confirm at least three times that it was in fact, a house in Marana and that this ghost was not, in fact, the registered occupant. He finally got so fed up with their questions that he told them that they had about ten minutes to get out there and take care of things, then hung up and waited a few more minutes for the ambulance to arrive.
Current word count for NaNoWriMo: 4,210
“On pace” word count for NaNoWriMo: 20,000
Yeah, that’s shitty.
Why I want to still win NaNo:
- Winning feels good.
- I already abandoned this story back in 2016 and I keep getting the urge to write it, so I feel like I should at least give it another fair shot.
- NaNo is really the only time where I feel like I have to force myself to write everyday. Which is good.
- I really don’t need yet another failure on my resume this year.
- I feel like I need to do something creative, and drawing’s out because I BLOW AT IT.
Why I want to abandon NaNo this year:
- SERIOUSLY. BUSY.
- I haven’t had free time in like a year and a half and I’d really like a little bit of free time please lord
- It would go with the current theme of “Claudia Fails Hard at Everything She Tries in 2018” that I’ve got going on.
- I’d much rather deliberately quit than fail after trying. I know that’s like the worst attitude to have, but I give zero fucks.
Eh. I’ll give it a shot. Maybe.
It’s three days into NaNo and I’m already thinking of changing my story.
Why do I do this.
Just fucking stick with something for five minutes, you complete bag of worthless trash.
So it’s day one and I’m already behind.
Because that’s the type of loser I am this year, I guess.
In addition to 1) wanting to continue working on last year’s NaNo, despite its lameness, and 2) wanting to retry my 2016 NaNo idea, despite its lameness, I have another (lame) idea that I’ve had in the back of my head for a while. It’s an idea that I’m sure has been done thousands of times…but hasn’t everything? It’s all about how you do it, right?
Anyway. It involves a cruise ship on which it is discovered that one of the passengers has some contagious illness (possibly one that the CDC hasn’t fully identified yet, but is dangerously contagious and deadly) and no port will allow the cruise ship to dock due to the risk of spreading the illness, so they’re forced to remain at sea as more and more passengers get sick and provisions run low.
Yeah, I know, dumb.
IT STARTS SOON
I AM NOT PREPARED
Part of me wants to keep working on my story from last year, even though I know the plot is dumber than dumb and I would do absolutely nothing with that story other than put it in the drawer (or USB) with all the other garbage I’ve ever written.
Another part of me wants to re-try the story that I attempted back in 2016. Like, same idea and stuff, but scrap everything I’d done that year and restart it.
I’ll probably do that, but who actually knows. There’s also a strong possibility that I’ll fail again this year because THAT SEEMS TO BE ALL I KNOW HOW TO DO ANYMORE.
Huh, this looks intriguing.
2,500 words is…not a lot. And the word counts get smaller with each round. But I guess that’s only if you do well enough!
It’s also pricey, though, so I’m not sure.
But it’s a challenge. I seem to only be able to write under the pressure of a challenge or deadline.
WE SHALL SEE
Dudes, I have had such a serious urge to write ever since NaNoWriMo ended. It’s freaky. I haven’t had just an urge to write in a long time.
More specifically, it’s an urge to keep working on my NaNo story, even though the thing is a piece of garbage and will never amount to anything.
Much like its creator.
But still. Maybe I’ll just have to keep working on it anyway. It’s really only like 30% – 40% done as far as the full story goes right now. Which is weird, ‘cause most of my NaNo stories (read: all of them) are at like 90% completed story-wise by the time I hit the 50,000.
ANYWAY. Time to write.