Tag Archives: nanowrimo

NaNoWriMo 2020 Complete!


Here’s our good old word cloud.

Now to do something I’ve never done after NaNoWriMo: keep writing!*

In the past, I’ve always said to myself, “okay, so December is your break; once the new year rolls around, you will continue writing on your NaNo project until it’s done.”

That’s never happened, because once December has gone by, I’ve lost my little “groove” that I get into in November.


This year, I’m going to try to do 500 words a day starting…NOW!

I think 500 is a perfectly manageable amount but is also enough to start seeing some actual progress on the story, ‘cause it’s definitely not finished.

It’s a stupid story, yes, but the idea won’t leave me alone (which is why I chose to “redo” it this year), so let’s just roll with that. Yay?

*Okay, I guess I re-worked Prime a few times, but that was…like…five years after writing it? And it’s still not done? And it’s the dumbest story ever so screw it?

It’s tiiiiiiiiiiime

Time for the annual NaNoWriMo excerpt!

Yeah, I know. I’m not excited, either.

Like I said, I hate this freaking story but it won’t get out of my head, so I’m writing it. Again. Sorta.

So to spare everyone too much pain from scrolling past a long rambling excerpt, I’ll just give you a short one. And a short one that only needs a (relatively) short preamble so that you know what the hell’s going on.

(As if you care.)

So this story takes place in a world where (some) people have the ability to see ghosts, and a portion of those people work for the Bureau of Death, Dying, and Deceased, which regulates ghosts and ghost-human interaction as much as possible.

The main character, Nick, works at the Bureau as a ghost realtor. His job is to relocate ghosts that are haunting houses in living-zoned areas to literal “ghost towns,” which are towns that have been converted for ghosts only. Basically, he gives a ghost a deed to an empty house in the ghost town so they can “haunt” it legally and without bothering the living.

People at the Bureau are ranked by “Witness Level,” which is essentially how many different types of ghosts they can see. Witness Level is roughly correlated with age; the older you are, the more ghosts you can see, generally. The main conflict of the story revolves around Nick’s Witness Level increasing dramatically when he is relatively young and how he reacts to it. But that’s not super relevant here. The relevant stuff here is that as Witness Level increases, ghost realtors start having to deal with bigger, more volatile ghosts, so they typically work with a partner. This is the scene that introduces Nick’s partner, Ben. While Nick is quite sympathetic to ghosts, Ben is…not.

Oh, and the “destabilizer” is basically like a ghost Taser. Realtors carry them but are only supposed to use them if they feel their lives are in danger.

Yeah. Stupid, right? Anyway, here’s the excerpt: 

Ben thundered into Nick’s office later that afternoon. He led by his voice, which had such a carrying boom to it that it hurled itself into the office well before Ben himself made his appearance in the doorway.

“Nick!” came the voice, followed by the heavy thud of Ben’s boots, then by the large, wide man wedging himself through the doorway. “I’ve got somethin’ fer ya.”

Benjamin Price was the size of a refrigerator and marginally more intelligent than one. He was never without a cowboy hat and at least one article of clothing made from alligator. Sometimes it was the hat itself, but more often than not it was his boots, belt, or vest. You could smell Texas in his accent and tobacco on his breath. He was the color of Wonder Bread except after exerting himself, in which case the white would give way to such an alarming shade of bright red that one almost ventured to ask him if he’d forgotten to take a breath in the past three minutes.

He was this particular shade of red as he burst through Nick’s office door, puffing but pretending not to, with a small box clutched in one of his meaty fists. When Ben said, “I’ve got somethin’ fer ya” to someone, he usually either meant he had a stern word or a lousy piece of advice, which is why Nick was surprised when the enormous man plunked the box down upon Nick’s desk and panted, “A present.”

Despite working with Ben for the past five years, Nick still got a kick of just how out of breath his co-worker got just from hauling his massive self around the office. He waited with a patient smile until Ben’s breathing finally calmed, then glanced down at the box. “A present for what?”

Ben parked his behind on the corner of Nick’s desk. It creaked unsettlingly beneath his weight. “I heard you moved up a Witness Level. Figured you’d need somethin’ to help you with the tougher ghosts that you’ll be dealin’ with now.”

Nick had to laugh. “Tougher ghosts? I’m a Level 4 now, Ben. Blue Types. Caspers. The worst thing they could do to me is accidentally bump into me in a hallway.”

“Never hurts to be prepared.” He tilted his head toward the box. “Open ‘er.”

Nick knew what it was before he even laid a hand on the present, but he humored Ben and pretended not to have a clue until the box was opened and the protective plastic cover was removed from the gadget within.

“A destabilizer?” He held it between the very tips of his forefinger and thumb as it if was trying to bite him. “Really?”

“Fer the ghosts.” Obviously.

“Thanks, but I already have one.”

“Not like this one, ya don’t.” In his enthusiasm, Ben leaned forward, causing the desk to give another pained creak. “You’ve just got the company issue, and that model’s three years old now. This new one is better. It’s safer ‘cause it’s got a two-factor shooting system. It won’t go off in yer pocket by accident. And it’s more powerful. Higher voltage. Makes fer scramblin’ up those ghosts a lot longer so ya got more time to get reinforcements.”

As always, Ben made it sound like an encounter with a ghost was a fight for one’s life where only an army could defend you if you entered at a disadvantage. If only his enthusiasm for relocating ghosts was as high as it was for destabilizing them. He’d be a better realtor than Nick.

Nick opened his mouth to speak, but Ben stopped him with a roll of his eyes. “I know what yer gonna say. ‘I’ve never used one. I don’t like destabilizing ghosts. Blah, blah, blah, ghosts can feel the voltage.’ I know what yer gonna say. But on one of yer jobs one day, yer gonna be blindsided by some big-ass ghost who won’t respond to yer touchy-feely way of relocating it and yer gonna wish you had one of these more modern destabilizers to deal with it.”

Nick gave him a forced smile. “Well, when that day comes, as I writhe in agony on the floor with twenty broken bones, my only thought will be, ‘that Ben was sure right.’” He was still holding the destabilizer; he moved to put it back in its box.

“Hey, wait,” Ben stopped him. “At least humor me by switching it out with yer old one. Ya still got yer old one, right?”

Nick sighed as he opened his lower right desk drawer. “Only because I’m required to.” As much as he hated to admit it, the new destabilizer did look like quite the impressive piece of equipment compared to the older model that he produced from the drawer. Even in its yellow holster, Nick could see that the company-issued weapon was made of an inferior metal as compared to the new one and, as he made the switch, realized just how much heavier it was compared to the sleek, streamlined version that Ben had presented him with.

“There ya are,” Ben said with satisfaction as Nick worked the new destabilizer in his old holster. “Yer a regular sharp-shooter now.”

“I’m still not going to use it.”

“You will,” Ben said with a frightening level of confidence. “Some day you will. Just remember to aim at their heads. I read an article that says a destabilizer fired at the head will discombobulate them for a full twenty minutes longer than a shot anywhere else on them.”

“Christ, Ben.”

“‘Christ, Ben,’” he mocked. He then reached over and gave Nick a playful punch in the shoulder that nearly sent him reeling to the floor before he hoisted himself from the desk and headed out the door. “Yer welcome for the gun,” his voice boomed from the hallway.

Nick spent a moment massaging his shoulder where Ben’s fist had crashed into it, then picked up the destabilizer. He held it in his hand for a moment, then opened his bottom right desk drawer and tucked the weapon deep beneath a pile of folders. Upon closing the drawer, he promptly forgot about it.

Screw It, It’s 2020.

I ended up choosing to re-do my “Ghost Town Realty” story for NaNoWriMo this year. This is due to a few reasons:

1) I hate “Ghost Town Realty” just slightly less than I hate the other idea I had for this year.

2) I want to infuse more humor into the story, and I think the only way to do that is to start from scratch. I will use nothing that I’d written out from last time I did this (2018?) as far as actual words go, but I’ll probably re-write some scenes to add some actual humor. The story was completely devoid of that last time I attempted it and I really think it drained the life out of the whole thing.

3) I can’t get this damn idea out of my head. I hate it, it’s dumb, and it’s probably been done a billion times, but for whatever reason, the idea keeps sticking with me.

So yeah, that’s the plan.

At least until November 7 when I inevitably change my idea and have to spend the rest of November frantically trying to catch up on word count.

It’s tradition, after all.


So NaNoWriMo is in like t-minus way too freaking soon and I still have no idea what I want to write about.

Part of me wants to re-write that stupid “Ghost Town Realty” story again because I like the premise and can’t get the idea of the story out of my head. I originally started that for my 2016 NaNo, but convinced myself that it wasn’t cheating to try it again for my 2018 NaNo because I didn’t even complete 2016 (that year was madness). But I’m pretty sure trying it yet again for yet another NaNo would be Super Cheating™ and I don’t know how I feel about that.

I mean yeah, the idea of NaNo is just to write; no one really cares what you’re writing about or re-writing about as long as you’re getting 50,000 new words in. But I’d feel guilty using the same idea YET AGAIN.

I have a title of a story to go with, but I haven’t quite yet figured out what story should go with the title. To be fair, that’s happened in some previous NaNos where I had a title first and then used NaNo to really built up the actual story (“Arborhood” comes to mind), but I don’t know if I want to “waste” this year’s attempt on something that might be garbage.

Hell, “Ghost Town Realty” will probably be garbage no matter how many times I re-write the entire thing, so.

Yeah. Super fun!

I know it’s only July, but…

What the hell should I do for NaNoWriMo this year? My 2010 NaNo predicted Steve Job’s death within like a half a year of his actual death (and also predicted Google Glass) and last year’s NaNo topic was freakishly similar to the COVID outbreak on the Diamond Princess at the start of this year (down to the fact that it was the SAME FREAKING SHIP), so…maybe I should write about something cheerful and good?

I have no idea, though. I have a story name, which sometimes is enough to get me started on something semi-coherent, but it would be nice to have a general story in mind.

We’ll see. It’s still a way off.

NaNoWriMo 2019: Complete!

WOO I won NaNo! That’s pretty good, considering I was more than 10,000 words behind pace at one point. My total end word count was 50,050.

Have a word cloud!


Any excuse to do a survey, man.


(I’m also procrastinating actually working on my NaNo, ‘cause that’s how I roll.)

Tell me about your NaNoWriMo project this year! Give me a blurb!
The stupid, surface-level blurb (I just copy/pasted this from my excerpt post a few days ago, haha): an outbreak of a mysterious, unidentifiable, deadly disease occurs on a cruise ship. Due to the mortality rate of the disease and the fact that no one knows what it is or how it spreads, the ship is denied the ability to dock at any country, forcing it to basically become a floating hospital that is rapidly turning into a floating morgue as more and more people become sick. The story follows three individuals – Jochem (a passenger), Hugo (the captain) and Dr. Wex (the ship’s main doctor) – and how they cope with the fact that they know they are probably going to die on the ship.

There’s more to it than that, though. The disease and being trapped on the ship represents something different for each of my three main characters on a deeper level than just “they’re going to die, how do they deal with that?” due to their different places in each of their lives. I’m actually really liking how it’s turning out so far, even though it’s an incredibly stupid premise.

What’s the genre?
Probably just mainstream fiction.

Describe your MC in three words!
I have three main characters!
Jochem: Conflicted, lost, impulsive
Hugo: Confident, sociable, proud
Dr. Wex: Unflappable, professional, persistent

Without spoilers, describe your villain in three words.
I don’t really have a villain, unless you call the illness the villain, I guess.

What is your goal? (the traditional 50k? 20k? 5k? Or…100k?)
The good old 50k, as usual. At the rate this story is going, though, it will definitely need to be longer than 50k to be complete.

Is this your first draft? Second? Third?
Very first.

Are you starting a new project (or draft) or continuing an existing one?
A new project!

What is your favorite time to write in the day?
I like to write later at night, but I’ve actually been spending an hour or two at work (just before I go home) doing my writing there, especially on the nights where I have to go to bed at a reasonable hour to go walking in the morning.

Where are you going to write?
Either in my office or at my home computer late at night.

Computer or paper?
Definitely computer, though I’m not above jotting down any ideas/phrases/conversations I think of during the day when I’m not near a computer.

NaNoWriMo is a huge commitment. How are you going to make time to write?

Are you going to participate in local or online NaNoWriMo events? (e.g. kick-off parties in your regions, write-ins, virtual writing sprints…)
People are terrifying, so no.

Do you write from beginning to end or do you skip around?
I do some major skipping around. I don’t write even remotely in order.

Planner or pantser? (or plantser?)
Pantser. Plans are for SQUARES

What will be your go-to NaNoWriMo snack?
If I’m writing at work, I’ll probably write while I’m nomming a pita. If I’m writing at home, I’ll probably nom some Jolly Ranchers while I write.

Choice of caffeine? (or no caffeine?)

Any rewards for milestone achievements? For finishing NaNoWriMo?
Nope! The finished product will be tucked away, never to be seen again. And that’s the end.

Share a tip for other NaNo-ers!

How are you feeling about NaNoWriMo? Excited? Nervous? Tired?
I love NaNo. I bitch about the time commitment, but I do enjoy having an excuse to write something. Lord knows I don’t write any other time of the year, haha.


*audible sigh*

Hello, all. So it’s the middle of November, which means, as always, that it’s time for me to provide you with an excerpt from my NaNoWriMo project. I have an excerpt that I’m particularly proud of and want to share, but it actually has very little to do with the premise/main plot of my story, so I don’t think I’m going to share that one (even though it’s my fave).

So instead you’re going to get a different excerpt! The general premise of this dumb story: an outbreak of a mysterious, unidentifiable, deadly disease occurs on a cruise ship. Due to the mortality rate of the disease and the fact that no one knows what it is or how it spreads, the ship is denied the ability to dock at any country, forcing it to basically become a floating hospital that is rapidly turning into a floating morgue as more and more people become sick. The story follows three individuals – Jochem (a passenger), Hugo (the captain) and Dr. Wex (the ship’s main doctor) – and how they cope with the fact that they know they are probably going to die on the ship.

To set the following scene: the ship has been unable to dock anywhere for three weeks now because every country is afraid of this unknown but very deadly illness. So this ship is out there wandering aimlessly, trying to approach various countries for, if not the ability to dock, at least some provisions and fuel. By this point, a decent number of people are sick and the captain and crew have decided to dedicate an entire deck as a “quarantine deck” on which to keep the sick and those suspected to be sick to try to stop the illness from spreading.

Right now, they’re sailing through some nasty weather on their way to South America. The captain, Hugo, has been woken up by the storm and has decided to do a quick check of the crew as well as (in this scene) the deck that has been transformed into a quarantine ward.

GO! (I know, I know, the writing is terrible as always. It’s NaNo, what do you want.)

Upon leaving the wheelhouse, Hugo’s next destination was the quarantine deck. He hadn’t been down to visit it in a while – such a while, in fact, that it was only upon his reaching the elevator bay on the north end of the ship that he remembered that he had ordered that the elevators be shut down to try to prevent people from accidentally stepping off on the off-limit floor. Heading to the stairs, he met with the posted security guard who said that he could go and fetch Dr. Wex for the Captain if he wanted to be escorted through the quarantine region.

“I don’t want to bother the doctor,” Hugo responded, forgetting momentarily that it was far too early for anyone else on the ship to be awake, apart from himself and the men in the wheelhouse. “Just let him sleep. I’ll talk to him in the morning.”

But the security guard shook his head. “Oh no, he’s up right now, sir,” he said. “Dr. Wex hasn’t been sleeping much as of late, and when he does, he has mighty odd sleeping hours. I’ll go get him for you.”

The guard had been correct; Dr. Wex was awake and greeted Hugo with a kind but tired smile as he ascended the steps to meet the Captain.

“Late rounds, sir?” the doctor asked, running his hands through his greying hair in an attempt to tame any flyaways that had jutted into existence during his sleepless hours.

“No later than yours,” Hugo said. “I hope you’re getting enough sleep, Adrian. I know it’s in a doctor’s nature to put their health last after everyone else’s, but the last thing we need is for you to collapse from lack of sleep. Hell, you saw what a case of exhaustion did to me, and I’m sure I wasn’t working any harder than you currently are.”

“I’m doing fine, Captain,” the doctor said. “I’m used to these types of long hours; it’s part of what you come to expect being a doctor. Though I must say it has been taken to a bit more of an extreme in this particular case, given what we’ve had to deal with.”

Hugo tipped his chin in the direction of the stairs. “Am I allowed down to the quarantine deck? I’m assuming by your lack of mask or body suit that you don’t suspect the illness is airborne.”

Dr. Wex shook his head. “No,” he said. “Not airborne. Not yet, at least. There’s no guarantee that it will remain that way. There’s really not much of interest that you’d be able to see down below, but I’ll take you if you’d like.”

“I would, thanks.”

Hugo followed Dr. Wex down the dark stairway to the fifth deck. The conversion from regular passenger’s quarters and public areas to a secure, patient- and doctor-only quarantine deck had happened as recently as five days ago. But despite how recent the conversion had been carried out, the formerly lively, passenger-filled Plaza Deck was now a quiet, eerie, unwelcoming place. The main lights on the deck had been dimmed, mainly to save on power and fuel since no one was really utilizing the deck the way it was usually utilized, and places like the library, internet café, and the two large aft dining rooms were hauntingly empty. It brought on such a feeling of discomfort that Hugo actually shivered.

“The most critical patients are still on the lower deck, in the ship’s main medical center,” Dr. Wex explained as the two men made their way through the main plaza and towards the passenger rooms. “But we’ve quarantined the mildly ill band those who we feel might become ill – family members, those who have been in contact with people who are already ill, and the like – up here.”

It had been an unusual effort made by the ship’s crew to transfer all passengers who had had rooms on the Plaza Deck to rooms that were higher up on the ship. Luckily, due to the time of the year in which the ship was cruising, it was only at two thirds capacity passenger-wise. This meant that there were, in fact, enough rooms to accommodate the sixty or so sets of passengers who had to be rehomed when the order for vacating the fifth deck came into action.

“How many of these rooms are occupied?” Hugo asked as they made their way down one of the hallways. Usually, when one walked down a hallway that was flanked on both sides by staterooms, one could hear a general din of muffled talking, laughing, stomping, and shuffling of luggage and belongings. This hallway had none of those sounds; it was almost as if all the rooms were completely empty.

But Dr. Wex gave the Captain a number that surprised him. “Thirty, I’d say,” he answered after a moment of contemplation.

“That many?”

“A fair number of those are just precautionary,” Dr. Wex assured him. “We’ve taken to quarantining those who have just been in brief close contact with sick individuals. People who have sat at the same dining table as a sick person, or people who have visited a sick person’s stateroom, that kind of thing. Most of the people in these rooms are, as far as we can tell, not actually sick. Sick of being quarantined, maybe, but not sick with the illness.”

“Are they all being fed in one of the dining rooms?”

Dr. Wex shook his head. “To keep contamination to a minimum, we’ve opened up the room service menu to include anything we’d offer in a regular dining room or at the buffets and have encouraged people to just order food to their rooms. It’s keeping the chefs a bit busier – at least, those who are still working – but perhaps that’s a good thing. It helps keep everyone from thinking too much about possibly getting sick themselves.”

As they continued down the hall, the ship gave a big, unexpected heave, and the two staggered to stay upright in the dim hallway.

“Woah,” Hugo muttered after the ship had rocked herself back to a steady position. “We must have hit that wave at just the wrong angle.”

“Do you need to go up and check on things, sir?” the doctor asked.

But Hugo shook his head. “It feels like we’ve steadied out. Can’t blame the crew for those rough waves that hit us like that. They’re doing the best they can.”

The doctor nodded. “They’re doing better than I ever could.”

Before the two could continue moving down the hallway, a low moaning sound filled the space around them. It took Hugo a few seconds to realize that the sound had made its way through one of the stateroom doors that was right next to him. He nodded towards the door and spoke in hushed tones to Dr. Wex.

“Is… are they…?”

“Are they infected?” the doctor finished for him. He shook his head in response to Hugo’s nod. “No, they’re one of the ones that was quarantined out of precaution. Thomas Bond is his name. He’s got wicked motion sickness, though; I can’t imagine how he’s feeling right now having to stay cooped up in that small stateroom with all of this rocking going on. Though I guess, to be fair, the swaying of the ship is much less pronounced on these lower decks than it is on the upper decks, especially the open ones. I believe his original stateroom was on the tenth floor, so this quarantining should be an improvement in his motion sickness, at least.”

Dr. Wex paused; he noticed that the Captain was paying attention to what he was saying, but was also propping himself against one of the hallway walls and was doing his best to stifle a yawn that had crept up from his lungs into his mouth. He had no choice but to release it, though he tried to do so discreetly.

The doctor couldn’t help himself from commenting. “You should go back to bed, Captain,” he said gently. “Try to get some sleep. There’s nothing you can do to help these people down here, especially not now.”

“I can try to get them medicine,” Hugo muttered through another yawn. “Once we’re out of this gale and closer to the South American shoreline, I can start sending out distress calls – calls for supplies, medicine, anything.” He lowered his voice, afraid that someone might hear through their stateroom door. “Currently we’re not at the point where the supply of provisions outweighs the demand, but if more and more get sick and deteriorate in the same way we’ve seen with the first few deaths, we might be needing less and less as time goes on. But for now…” he trailed off. He was so tired that he didn’t know where he had intended to go with what he’d been saying.

“But for now,” Dr. Wex finished for him, “there’s nothing you can do. No radio signal is going to get through this storm, anyway. Really, Captain, I suggest you go get some rest while you can. If there ends up being a crisis down here that I cannot handle on my own or my medical team can’t handle, I’ll let you know. Right now, everything is being handled as best as we can.”

The Captain gave him a tired nod after a moment of consideration. “I suppose you’re right,” he conceded finally, letting out another yawn. “I’m sorry I can’t guarantee you a break, Adrian,” he said as they turned about in the hall and started heading back towards the stairwell. “If there ever is a lull in your duties – which I suspect is rare, even when the ship is not plagued by a mysterious illness – please feel free to just go to your stateroom and relax or have a meal. Shower. Recharge.”

Dr. Wex smiled at him. “I will,” he said, “if such an opportunity ever presents itself.”

The two made their way back to the stairwell and Hugo gave the doctor one last parting “thank you,” complete with a congenial pat on the back. Hugo figured if anyone had an excuse to be more tired than he currently was, it was the doctor. But he trusted Wex in his ability to know his own limits when it came to sleep deprivation, so he left him to his lower deck duties and returned to his own stateroom.

The swaying of the ship had neither gotten worse nor improved; the same could be said about the sounds of the wind as it whistled through every open space or over every unsecured item on the decks, creating a mix of whistling, whipping wallops and an accompanying melody of unsecured objects repeatedly crashing into the deck.

Hugo was able to tune out these noises, in part because he had gotten used to doing so on almost every other seafaring job he’d held over the years and in part because he was so tired. Once he was back in his stateroom, he stumbled with exhaustion toward his bed, unbuttoning and shedding his coat in the process, kicking off his shoes, and removing his pants as well. There was nothing more comforting and enjoyable than sliding beneath the heavy silk covers that sat atop his soft bed, and in an instant, all thoughts about the swaying ship, the perilous gale and the relentless illness were replaced with the sweet, seductive tonic of sleep.

Every. Freaking. Year.

Will I ever learn not to fall behind in the first few days of NaNo?



No I won’t.

NaNo? Nah.

It’s the first day of NaNoWriMo.

So did I write anything today?

No I did not.

Fantastic way to start the month.

(Sorry, I hate myself.)



(I never really have a plan for it, though, so what’s new.)

I have a character in mind, but I’m not sure what to do with him. I guess my backup in case I can’t do anything interesting with him is to do that whole “mysterious illness on a cruise ship” thing, but that sounds ultra dumb and I don’t know if I want to even put that on paper.

Who knows.

Let’s Write the Wrongs

As I do every time I hit my NaNoWriMo minimum of 50,000 words at the end of November, I immediately stop giving a crap about the thing I was working on and tuck it away to either a) not be looked at until like half a year has passed or b) not be looked at ever.

I was not too enthused about my story this year, but after taking a week or so away from it, I think it’s actually something that I could refine and make into an actual coherent story of sorts—one that, assuming a miracle occurs and I am suddenly granted with the ability to write well, I’d like to try to do something with. Publish it or something.

(Wild dreams, I know.)

Getting something I’ve written published has actually been one of my dreams since I was in like first grade and was writing all those coo stories. But I’m terrible at writing and everybody wants to get published and what the hell chance do I have anyway with the garbage story ideas I come up with anyway?

But at least this year’s project might actually work as a thing.

Prime (2009) is a cool little story, I think, but until I figure out the tone in which I want it told, it’s staying hidden.

Googol (2010) would immediately get me sued. Even if I changed the name of the company in question in the story, it would still be bad news, I think.

(We won’t talk about 2011 and 2012.)

Arborhood (2014) is one that miiight be workable, but I’m not sure. Right now there’s way too much exposition.

Earth’s Edge (2017) became character-driven very quickly, but at the expense of the whole main point of the story. There’s really no reason for them to be doing what the whole story was set up for them to be doing, so yeah. I really liked my characters, though.

But this year’s story? Possibly workable.

Maybe that will motivate me to, you know…work on it.

The Wrimo is OVER!

So NaNoWriMo’s done and I won with a relatively decent (for me) margin of time. I usually feel at least some level of accomplishment when I win NaNo, but I didn’t this year.

Which, you know, further confirms that I no longer value anything I do in life, but whatev.

Anyway. Here’s a word cloud.


Right in the FEEEEELS

So the past few times I’ve done NaNo, I’ve made a blog post in which I talk about a “soundtrack” that would be appropriate to go along with that year’s NaNo novel. I don’t really have such a soundtrack in my mind for my ghost story this year, but I heard Owl City’s Silhouette on shuffle the other day and holy hell, does that song capture the mood I’m trying to get to in the sadder portions of the novel when Nick is feeling very much alone, out of control, and aware that he is rapidly losing is fight against a relentless death.

The song itself isn’t about death, but it invokes that exact feeling I’m going for.

It’s beautiful. It’s heartbreaking. I love it.

Edit: zomg, I just listened to this song for the first time on my new Sennheisers and those subtle chords in the line “the fire I began is burning alive”—especially the second time (2:09)—are like daggers to the soul. Gorgeous.

Straight Outta Tucson

I’m making progress on my story. Slow progress, but progress.

I also decided to make this story set in Tucson (as you probably read from the excerpt I posted a few days ago) for whatever the hell reason, which is giving me a ton of excuses to take pauses in my writing to look up some specific street or hospital or restaurant or whatever in Tucson.

It’s also making me miss living down there, which is kind of weird. I mean, I wasn’t even there a year. But I miss some stuff.

Don’t miss Marana, though.

Protected: NaNoExcerpt 2018

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Current word count for NaNoWriMo: 4,210
“On pace” word count for NaNoWriMo: 20,000

Yeah, that’s shitty.

Why I want to still win NaNo:

  • Winning feels good.
  • I already abandoned this story back in 2016 and I keep getting the urge to write it, so I feel like I should at least give it another fair shot.
  • NaNo is really the only time where I feel like I have to force myself to write everyday. Which is good.
  • I really don’t need yet another failure on my resume this year.
  • I feel like I need to do something creative, and drawing’s out because I BLOW AT IT.

Why I want to abandon NaNo this year:

  • BUSY.
  • I haven’t had free time in like a year and a half and I’d really like a little bit of free time please lord
  • It would go with the current theme of “Claudia Fails Hard at Everything She Tries in 2018” that I’ve got going on.
  • I’d much rather deliberately quit than fail after trying. I know that’s like the worst attitude to have, but I give zero fucks.

Eh. I’ll give it a shot. Maybe.


It’s three days into NaNo and I’m already thinking of changing my story.

Why do I do this.

Just fucking stick with something for five minutes, you complete bag of worthless trash.


So it’s day one and I’m already behind.

Because that’s the type of loser I am this year, I guess.


More NaNo Thoughts

In addition to 1) wanting to continue working on last year’s NaNo, despite its lameness, and 2) wanting to retry my 2016 NaNo idea, despite its lameness, I have another (lame) idea that I’ve had in the back of my head for a while. It’s an idea that I’m sure has been done thousands of times…but hasn’t everything? It’s all about how you do it, right?

Anyway. It involves a cruise ship on which it is discovered that one of the passengers has some contagious illness (possibly one that the CDC hasn’t fully identified yet, but is dangerously contagious and deadly) and no port will allow the cruise ship to dock due to the risk of spreading the illness, so they’re forced to remain at sea as more and more passengers get sick and provisions run low.

Yeah, I know, dumb.




Part of me wants to keep working on my story from last year, even though I know the plot is dumber than dumb and I would do absolutely nothing with that story other than put it in the drawer (or USB) with all the other garbage I’ve ever written.

Another part of me wants to re-try the story that I attempted back in 2016. Like, same idea and stuff, but scrap everything I’d done that year and restart it.

I’ll probably do that, but who actually knows. There’s also a strong possibility that I’ll fail again this year because THAT SEEMS TO BE ALL I KNOW HOW TO DO ANYMORE.


Dudes, I have had such a serious urge to write ever since NaNoWriMo ended. It’s freaky. I haven’t had just an urge to write in a long time.

More specifically, it’s an urge to keep working on my NaNo story, even though the thing is a piece of garbage and will never amount to anything.

Much like its creator.

But still. Maybe I’ll just have to keep working on it anyway. It’s really only like 30% – 40% done as far as the full story goes right now. Which is weird, ‘cause most of my NaNo stories (read: all of them) are at like 90% completed story-wise by the time I hit the 50,000.

ANYWAY. Time to write.


The WriMo has Ended!

Heeeeeeeeey, guess what? I actually won NaNoWriMo this year! The last time I won it was in 2014, which is way too long ago.

  • Total words: 50,250
  • Percentage of total story complete: I dunno, maybe 40%?

This is also the first WriMo where I’ve felt like wanting to continue to work on the story after the month was up. It’s also the first time I have a story that would actually work as a novel-length thing. Prime, Google, and Arborhood would all work better as novelettes, probably.



NaNo Soundtrack??

Aloha, bitches! NaNoWriMo is almost over and I have a very good chance of actually winning for the first time since 2014. Which is pretty cool.

So to distract myself from everything (especially Annabelle), I present to you the short but sweet set of songs that I would consider to be part of the “soundtrack” to my NaNo project this year. There’s not much, but there are a few tuned in tracks (ha), so let’s do it.

Clair de Lune (Debussy) – This is the song I hear in my head when my main dude (Apollo) goes out on the main deck during a cool, calm night and witnesses the captain up on the main deck already, staring up into the stars as if asking them what his purpose is in everything. Kind of a special little moment between the two characters without any sort of interaction at all.

Where We’re Calling From (Doves) – This song plays when they finally reach the edge of the earth. It emerges out of the fog; at first they just hear the rumbling of the ocean breaking over the precipice, then as they get closer, the fog clears up a bit and they see the great chasm below that is the abrupt edge of the world.

10,000 Miles (Mary Chapin Carpenter) – This song hurts my soul, but it’s perfect for the one of the main ending scenes (the one I posted on the 15th, actually). I wanted the end to be a very heart-wrenching experience for Apollo, and this song fits it perfectly.




Nano Excerpt 2017


So it’s about that time in November where I annoy you all with an excerpt from my garbage bag of a NaNoWriMo story. SO LET’S GET TO IT!

Context: so this story exists in kind of a future world of ours where science has actually provided proof* that the earth is, in fact, a disk-shaped object rather than a spherical one. Basically, the timeline went from flat-earthers to, as I’m calling them, “round-earthers” (people who were convinced that the earth was a sphere, like we know today) to “disk-earthers,” or people who have come to accept the new scientific evidence that the earth is a disk.

The problem is that (for a number of reasons) no one has ever actually seen the edge of this disk. This story focuses on one crew who is trying to do exactly that: sail to the edge of the earth so as to obtain demonstrable proof of the fact that the earth is flat (and to, you know, explore, as explorers do).

[Edit: I had a different excerpt here originally, but I hated it and like this scene a little bit better.]

So the crew does turn out to be successful in their mission and they do in fact stumble upon the edge of the earth (though it takes them much longer to do so than their captain, McCasey, told them it would). However, once they see the edge of the earth from their ship, they are unable to get very close due to some extreme weather conditions that exist in the tumultuous atmosphere at the edge of the planet. So McCasey (who’s headed three previous missions to the edge of the earth, all of which had failed for one reason or another) has run the ship aground on one of the tiny islands near the edge and selected a group of men to proceed on foot so that they can get closer.

This scene is actually near the end of the story. Due to the amount of time it took for the ship to actually reach the edge of the earth, a lot of the men on the ship started doubting McCasey’s ability to lead (as well as his sanity; he starts getting weird and reclusive as time goes on). A decent number of these doubters are included in the small exhibition group that goes with McCasey to get to the edge on foot. Really, the only two people in the group who don’t doubt his abilities are the ship’s doctor (who’s also McCasey’s old friend) and Apollo. Apollo is the cartographer who’s been brought along to map the edge of the planet. He’s the only “disk-earth skeptic” on board and is one of the only cartographers around who still actively makes globes. He’s aboard because he’s one of the best cartographers in the world and because, upon hearing about the opportunity to sail to the edge of the earth, wanted to go along with it because he wanted to be there with others when it was revealed that there was, in fact, no “edge” because the earth was really round. Despite the fact that he and McCasey had vastly differing views about the shape of the earth (at least until they actually got to the edge), he and the captain became very close.

Anyway. A few days before this scene, there was an accident on their journey and two of the other men got killed. This really divided the group and basically set everyone except for the doctor and Apollo completely against McCasey. With the weather and conditions getting worse, everyone wanted to press on as quickly as possible, but McCasey still wants Apollo to do what he’d been brought along to do: sketch some maps of the edge of the planet. So he suggests that he stays behind with Apollo while the rest of the party continues ahead of them.

This scene occurs after a particularly rough set of days where McCasey and Apollo were stuck in near-blizzard conditions in sub-zero temperatures. They’re both very weak and sick (particularly McCasey) and so Apollo decides to set up their shelter for the rest of the day/night so that they can get a fresh start the next day. So he does that and the two hunker down for the night. Basically what happens here is McCasey knows that he’ll probably be the death of both of them if he keeps going in his injured/sick state, so he chooses to wander off into the snow instead.

I’m being really vague because I hate this freaking story and I know it’s no good, but the 15th is Excerpt Day, so y’all get to suffer through this thing with me. Also, this is me writing about something I know little to zero of (ships n’ stuff n’ exploring) with no time to research much (NaNo is writing, not research!) and zero editing.


(Nate, don’t read this, it’s terrible)

Apollo awoke to the sun blazing its way through the thin fabric of the tent and a looming feeling of dread in the pit of his stomach. That familiar hint of alarm was slight and it barely caught his attention, but it was strong enough that he did notice it.

It took him a second to register that he was alone. McCasey wasn’t beside him as he slowly transitioned from being half asleep to feeling a bit more awake. Figuring the captain had already woken and was outside of their makeshift shelter, Apollo took his time getting up. He was warm – finally – and he had no desire to end the feeling until he absolutely had to. Taking advantage of McCasey’s tendency to rise early and to stay awake after doing so, Apollo helped himself to the captain’s portion of the blankets and wrapped them around himself, reveling in the cocoon of comfort he knew would have to be broken in order for them to continue their journey to reach the others.

He sunk down into the blankets with the intention of staying in them as long as possible, which meant until McCasey returned to the shelter and prompted him to pack up to continue their walking. But as he lay back to try and catch a bit more sleep in the interim before the captain’s arrival, Apollo realized that the barely perceptible feeling of dread he’d experienced upon waking had transformed itself into something stronger. It felt now more like a pulsing ball of worry that was starting to eat at his stomach.

Apollo tried to rationalize this dread that had seemingly come out of nowhere. It was likely it was just a manifestation of his feelings regarding the whole second half of their mission. Ever since they had stepped off the ship to continue their journey on foot, things had seemed to go wrong at a fairly consistent pace. First the shock of how difficult it was to breathe in the thin atmosphere at the edge of the planet, then the rough going through the snow and wintry conditions, then the accident and deaths of Johnson and Davie.

The fight between Pauls and McCasey had truly been what separated the group, but the actual physical separation had come when McCasey had insisted on Apollo’s completion of the map and his unyielding desire to remain with the map maker until he finished, forcing the others to go ahead under the direction of Pauls. There was also McCasey’s second injury of their journey by foot, which had made it all the more difficult for him and Apollo to catch up with the faster moving group of crew.

Still, though, McCasey had remained optimistic throughout all of it, and had assured Apollo that if they got early starts and were able to keep up a steady pace during daylight, they would be able to catch the rest of the crew in less than four days, five max.

Where was McCasey?

Thinking of the captain made Apollo realize that the man had yet to return to the shelter. Surely using the bathroom or just getting some fresh air wouldn’t normally take him so long. Maybe his injury was slowing him down.

“Captain?” Apollo called it from inside without moving, not yet wanting to release the warmth from his cocoon of blankets. He waited for a moment for a response, and when he got none, he called again.

“Captain? Sir? Are you out there?”

The feeling of dread in his stomach was boiling now; Apollo unwound himself from the thick blankets and tossed on outer jacket as quickly as he could to try to contain the heat still radiating from his warmed body. He poked his head out of their shelter to see where McCasey was.

“Sir?” He had to shield his eyes from the sting of the blowing snow, the storm having come in quickly on the fast- moving morning wind. The sun, which had woken him with its brightness, was now muted by the dense clouds above him. But even without the stinging blaze of the sun in his eyes, he couldn’t see the captain anywhere.

“McCasey, sir? Are you out here?” Apollo ventured out of the shelter now, more earnestly scanning around their shelter to see if there was any indication of where the captain was. He plodded around a bit, eyes blinking away the stinging snowflakes, looking. Had McCasey gone back in the shelter behind him, and Apollo had just missed him?

“McCasey!” Apollo spoke a bit louder. He turned to check behind him, and that’s when he saw the footprints. They were unmistakably McCasey’s and were fairly fresh, though were quickly being filled with the rapidly falling snow. For the briefest of moments, the thought flashed through his head that McCasey had gone on without him, trying to catch the group by getting an earlier head start than he could have if he’d waited until Apollo was awake.

But this thought disappeared as quickly as it arose as Apollo realized that the tracks McCasey had left were going off in the wrong direction. Rather than heading in the same direction that they had been going when they’d stopped the night before, the footprints went off in a perpendicular direction – nowhere near where the others were and nowhere near anyplace that Apollo could think was worth going. 

“McCasey!” Apollo called. Nothing answered him but the wind and its whipping through the falling snow. Apollo took a few bumbling steps in an attempt to follow the footprints, then called again. “McCasey!”

Nothing. More earnestly than the first time, Apollo attempted to run in the direction of the footprints. He grunted, the newly-fallen snow making the otherwise natural action incredibly difficult and tedious. In a manner of less than a minute, he was gasping for breath and struggling to stay upright.

Had the captain been trying to scout out a route to follow and mistakenly gone off in the wrong direction? Had he just gone outside to get some fresh air and gotten lost in the falling snow? Had he gone further away from the shelter than he’d originally planned, and in trying to get back, gotten lost in the near white- out conditions? The circumstances of the weather and of their predicament made all of these options possible. But as Apollo continued his vain attempt to follow the footprints, which were rapidly disappearing under the falling snow, he knew that none of these were what had really happened.

Apollo was gasping from exhaustion and from anger now, his tear-filled eyes straining to follow footprints that were little more than shallow indents in the thick snow underfoot. He gritted his teeth and, with every ounce of strength and every molecule of oxygen he had in his body, he lifted his head and yelled.

“Coward!” Apollo shouted it into the falling snow, his voice breaking with a sob. “You coward!” But as soon as the words burst from his lips, he regretted them. Stumbling, he finally succumbed to the heavy snow around him and collapsed to the ground. “I’m sorry,” he whispered into the snow, shaking, hot tears falling from his eyes and burning through the cold whiteness beneath him. “I’m sorry.”

The coldness that had been so all consuming a mere five minutes ago had now left him. Through his tear-blurred eyes, Apollo could see the rapidly-building snow begin to pile around his lower arms as he remained motionless and kneeling in the snow. For the briefest moment, he succumbed to it, accepting his fate as the white flakes began to bury him. He was content to be consumed by it.

But in another minute that feeling was gone and replaced with nothing but numbness. Somehow he pulled himself up and out of the snow. Somehow he made his way back to the makeshift shelter and climbed inside. He made no effort to warm himself in the blankets and instead remained on the cold, hard floor, shaking from cold and fear and anger.

Time passed. Apollo knew not how much. His eyes were glazed with tears, his mind clouded with a numb feeling of shock and fear. But the cold finally returned to him and, shivering, he crawled beneath the shelter of the blankets that he had left to go search for the captain. And as his body warmed, his mind seemed to come back to him.

Perhaps McCasey would return. Perhaps this was nothing more than a mistake. A quick survey of the captain’s belongings suggested he had taken nothing with him when he departed. It had been a scouting mission, Apollo thought. It had to be. He would return, hopefully before dark.

But the approaching night showed no inclination for lenience. Beneath his cocoon of blankets, Apollo watched the shadows as they moved along the walls of the shelter, bending as the sun traveled on its low arc through the sky. Around what Apollo assumed to be five in the evening, he consumed his portion of the dinner ration, his eyes never moving from the door of the shelter, keen still on seeing the shadow of the captain approaching from outside.

McCasey was not back by nightfall. The sun sank, darkness filled the void left by the departing shadows, and Apollo used precious lamp oil to keep the tent’s hanging lamp as bright as possible all night—a lighthouse in a sea of snow and cold. As much as he tried, Apollo did not make it through the night awake, and was ashamed when the sudden brightness of the abrupt morning of the edge of the earth startled him into a wakeful state. Momentarily panicked, he glanced around to see if any of the inside of the shelter had been disturbed, suggesting that the captain had returned in the night. Finding nothing, he stumbled free of the blankets and unzipped the shelter door to get a glance outside.

The snow drifts had piled up so high during the night that Apollo actually had to push away a decent amount of snow from the other side of the door to even be able to see out, but this and the fact that there were no visible signs of footprints outside suggested what Apollo feared but what he had seemed to know all along.

McCasey had not returned.

*This involves a whole bunch of nonsense that I’m not going to get into here, so just take it as fact in the story.