Somebody needs to explain why this song is so painfully familiar to me.
Like…I’ve never played any of the Civ games, and the only other song I’m familiar with by this composer is his “Baba Yetu” for Civ IV, but that doesn’t sound anything like this.
It is seriously freaking me out. Why do I feel like I’ve heard this song many, many times before? I’m usually really good at remembering when I’ve heard a song, but I’m having hella troubles with this one.
There are aspects of it that are familiar to other pieces of music I know, yes. 1:54 to 1:56-ish sounds very much like part of “The Launch” from Apollo 13 (especially with the chimes). 2:13 to 2:16 is like part of that fanfare thing they play for the Olympics (edit: which is literally called “Olympic Fanfare,” sorry, John Williams).
AAAAAAAAAAAAAAAAA I DON’T KNOW.
It’s a fantastic song, though. Fantastic. I can’t get it out of my head.
Edit: apparently “Baba Yetu” was the first music made for a video game to win a Grammy. I think this song is way better, though.
Edit 2: Here’s a live version. Live versions are always better.
So the past few times I’ve done NaNo, I’ve made a blog post in which I talk about a “soundtrack” that would be appropriate to go along with that year’s NaNo novel. I don’t really have such a soundtrack in my mind for my ghost story this year, but I heard Owl City’s Silhouette on shuffle the other day and holy hell, does that song capture the mood I’m trying to get to in the sadder portions of the novel when Nick is feeling very much alone, out of control, and aware that he is rapidly losing is fight against a relentless death.
The song itself isn’t about death, but it invokes that exact feeling I’m going for.
It’s beautiful. It’s heartbreaking. I love it.
Edit: zomg, I just listened to this song for the first time on my new Sennheisers and those subtle chords in the line “the fire I began is burning alive”—especially the second time (2:09)—are like daggers to the soul. Gorgeous.
Aloha, bitches! NaNoWriMo is almost over and I have a very good chance of actually winning for the first time since 2014. Which is pretty cool.
So to distract myself from everything (especially Annabelle), I present to you the short but sweet set of songs that I would consider to be part of the “soundtrack” to my NaNo project this year. There’s not much, but there are a few tuned in tracks (ha), so let’s do it.
Clair de Lune (Debussy) – This is the song I hear in my head when my main dude (Apollo) goes out on the main deck during a cool, calm night and witnesses the captain up on the main deck already, staring up into the stars as if asking them what his purpose is in everything. Kind of a special little moment between the two characters without any sort of interaction at all.
Where We’re Calling From (Doves) – This song plays when they finally reach the edge of the earth. It emerges out of the fog; at first they just hear the rumbling of the ocean breaking over the precipice, then as they get closer, the fog clears up a bit and they see the great chasm below that is the abrupt edge of the world.
10,000 Miles (Mary Chapin Carpenter) – This song hurts my soul, but it’s perfect for the one of the main ending scenes (the one I posted on the 15th, actually). I wanted the end to be a very heart-wrenching experience for Apollo, and this song fits it perfectly.
Tonight I was listening to some Aaron Copland, ‘cause Copland’s awesome. Specifically, I was listening to Hoedown on repeat for about a half an hour. Some of you may know it better as “the beef song”:
Anyway, awhile back, Nate and I had either seen the name of this song somewhere or had heard a reference to it, and when I referred to it as “the beef song,” he didn’t know what I was talking about (‘cause apparently it’s only ‘Murican beef that’s for dinner). So tonight when I had finished listening to it for like the tenth time, I let him have a listen and told him again that this was the beef song. He mentioned that he thought he’d heard this somewhere before. After a quick YouTube search, it turns out that a very similar song was in Fieval Goes West!
This song was actually composed by James Horner (RIP); apparently he took Copland’s Hoedown and kind of remixed/remade it to fit the movie.
Pretty awesome if you ask me.
UGH, marathon grading of STAT 217 midterms gives me a headache.
So awhile ago (like back in March or something) I said that of all the Marvel movies, Thor: The Dark World had the best music.
But now I take that back. BOTH Thor movies had the best music, in my opinion. The current song I can’t get out of my head is from Thor and is called Sons of Odin.
Holy crapples. If you haven’t watched Gravity yet, you need to do so, even if it’s just for the scene that goes along with this amazing song:
Or just for that song alone.
Sucky, sucky, sucky day. Do not wish to speak of it.
So in other news, has anybody ever noticed how average Idaho is at pretty much everything (but potatoes and lentils)? Aside from being one of the most right-wing-insane states, in almost every other way in which states are ranked/measured, Idaho almost always lands very close to the middle. Obviously there are exceptions, though. Did you know that Idaho has the third highest percentage of resident population under the age of 18? And that the state is 5th in geothermal power generation?
And for something totally unrelated: I forgot how badass the soundtrack to Princess Mononoke was.
I think I finally realized why I like the movie Apollo 13 so much (aside from the fact that it’s a good movie and Tom Hanks = awesome).
It’s the music.
The music is very cool.
Haha, sorry, nothing much is going on.